From scully1@vcn.bc.ca Tue Mar 11 09:12:20 1997 Newsgroups: alt.tv.x-files.creative Subject: CHEZ RITZ (1/1) From: Afshan Ahmad Date: Tue, 11 Mar 1997 07:12:20 -0800 -------- My FIRST FAN FIC EVER.. :) I hope you all like! Usual Disclaimers apply. I LOVE YOU CHRIS CARTER! 7:05PM. Chez La Ritz Restaurant. New York. Scully a green evening gown. Her hair is up. Mulder a gray suit & red tie. His hair is sexy. AN OUTSIDE SHOT OF MULDER & SCULLY INSIDE THE RESTAURANT. MULDER AND SCULLY ARE BOTH HOLDING MENUS... Scully: I'm so glad we decided to do this Mulder. CUT TO MULDER... Mulder: What the dinner? CUT TO SCULLY... Scully: Not only the dinner. But the dancing, the wine, (SCULLY PUTS THE MENU IN FRONT OF HER MOUTH)... the sex ... CUT TO MULDER... Mulder: The what? MEDIUM TWO SHOT OF MULDER & SCULLY... Scully: (chuckles...) Mulder: Scully, what's gotten into to you? PUTS DOWN HIS MENU. PICKS UP HIS WINE AND TAKES A SIP. Scully: I guess I've missed your Mulderisms. PUTS DOWN MENU AND RESTS HER HAND ON HIS THIGH (ect...ect...ect...) AND LOOKS AT MULDER. HE SPILLS THE WINE. The waiter comes... They order... The eat... TRANSPOSE AND FADE SHOTS OF THEM EATING DINNER... TALKING... AND FINISHING DESSERT. Mulder: Scully, what do you say we cut a rug. So to speak. Scully: O.K, but why don't we dance first? MULDER ROLLS HIS EYES AND TAKES SCULLY'S HAND. WHILE THEY ARE DANCING MULDER MOVES HIS HANDS UP HER BACK. SCULLY RESTS HER HEAD ON MULDER'S CHEST. Scully: (whisper) I can hear your heartbeat Fox. Mulder: It's beating especially fast tonight. THEY LOOK INTO EACH OTHER'S EYES AND ARE ABOUT TO KISS AND THE MUSIC STOPS. THEY STEP AWAY FROM EACH OTHER. Mulder: Come-on. MULDER PUTS HIS ARM AROUND SCULLY. Let's get out of here. FADE TO FROM SCULLY'S SMILING FACE. CUT TO: They are in the car on the way to Mulder's... SCULLY HAS HER HAND ON HIS THIGH. MULDER LOOKS DOWN AT HER HAND AND CHUCKLES. Scully: What? Mulder: I can remember a time when we were at each other's throats. Scully: Those were the good ole days. Mulder: I guess so. Dana. Scully: I really enjoyed that restaurant. I'd like to go back. MULDER KEEPS LOOKING AT HIS WATCH AND OUT AT THE SKY. Scully: What are you looking for? FLASH OF LIGHT. THEY LOSE 9 MINS. Mulder: We've just lost power. Break, steering everything! MULDER LOOKS AT HIS WATCH. Mulder: We lost nine mins! Scully: What! HAND OFF THIGH MULDER GETS OUT OF CAR. WALKS FORWARD A BIT. LOOKS UP AT THE SKY. Mulder: Not now guys. I was just about to score. SCULLY GETS OUT OF CAR. Scully: Mulder what's going on? Mulder: Apparently nothing tonight (HE SAYS TO HIMSELF) SCULLY CATCHES UP TO HIM. MULDER PUTS HIS HAND ON SCULLY'S SHOULDER. Come-on, Let's go. FADE TO BLACK. MORNING AT MULDER'S. HE ANSWERS THE DOOR AND SCULLY IS THERE. MULDER IS HOLDING A STICK OF BURNING INCENSE. (RE: PILOT EPISODE WHERE THERE IS A BLACKOUT AND SCULLY SHOWS UP AT MULDER'S MOTEL ROOM AND HE IS HOLDING A CANDLE.) Mulder: Hi. SCULLY WALKS IN AND MULDER HUGS HER. Scully: Is that an alien implant in your pocket or are you just happy to see me? SHE WALKS CLOSELY BY HIM. Mulder: That's the 64,000 dollar question Scully. Scully: I must have sounded completely implausible last night. (chuckles) Mulder: Which part? Scully: Huh? SITS ON THE BED AND TAKES OFF HER COAT. Mulder: You said you must have sounded completely implausible last night. Which part do you think sounded completely implausible? PUTS THE INCENSE DOWN AND SITS BESIDE HER AND LOOKS AT HER. SCULLY PUTS HER HAND ON MULDER'S FACE. Scully: I'd better go now. Before we do something we regret. Mulder: I'd better feed my fish now. MULDER GETS UP AND HEADS TOWARDS HIS FISH BOWL. SCULLY STANDS UP AGAINST MULDER. MULDER STEPS AWAY. SCULLY STEPS TOWARDS MULDER. Mulder: But... My fish... Scully: You're fish can wait... Mulder, you musn't hide you're feelings. SCULLY SITS HIM DOWN ON THE BED AND KISSES HER. Mulder: No they can't. MULDER PUSHES SCULLY OFF OF HIM AND HE PROCEEDS TO FEED HIS FISH. SCULLY STORMS OUT THE DOOR AND DOWN THE HALL. MULDER FORGETS ABOUT HIS FISH AND GOES AFTER HER. HE LEAVES THE DOOR OPEN A BIT. Mulder: Scully! Scully, wait I'm sorry. HE CATCHES UP TO HER AND TAKES HER HAND. SHE PULLS IT AWAY. I don't know what's gotten into me lately. SCULLY IS JUST STANDING THERE LEANING ON THE WALL LOOKING AT MULDER. Mulder: Come on talk to me DANA. Scully: What do you want me to say? Mulder: Absolutely nothing. HE STARTS TO KISS HER AND SHE PULLS AWAY. (SCULLY FACE - BREAK OUT INTO LAUGHTER). THEN SHE RUNS BACK TO HIS APARTMENT AND LOCKS THE DOOR ON HIM. HE GOES AFTER HER. Mulder: Scully. NO ANSWER. Scully, NO ANSWER. MULDER STARTS SINGING : Scully, Scully, Scully, Scully, Scully! SHE OPENS THE DOOR FORCEFULLY. MULDER IS SURPRISED. Mulder: Scully? SHE PULLS HIM IN AND SHUTS THE DOOR. IT IS DARK INSIDE. Mulder: Why is it so dark in here? Scully: Because the lights aren't on. MULDER NODS AND ROLLS HIS EYES. HE SITS ON THE SOFA AND SCULLY WALKS BY. SHE IS HEADING FOR THE WINDOW. MULDER GRABS HER ARM AND SHE SITS ON HIS LAP. THEY FALL INTO THE SOFA. Scully: What about your fish? Mulder: My fish can wait. HE LOOKS OVER AT THE FISH Can't you guys? SCULLY PULLS HIS FACE TOWARDS HER AND KISSES HIM. THEY KISS FOR A WHILE. THE PHONE RINGS. Scully: Don't get it. Mulder: The machine will pick it up. THEY CONTINUE KISSING. MACHINE: It is a little girls voice: Fox! Help Me Fox! THEY STOP KISSING AND MULDER GETS UP HALF DRESSED. HE PICKS UP THE PHONE BUT IT IS TOO LATE. ALL HE HEARS IS A DIAL TONE. Scully: What it is Fox? Mulder: Don't tell me you didn't hear that! Scully: Hear what? Mulder: Hear this. HE PUTS ON THE ANSWERING MACHINE. MACHINE: Mulder it's me Skinner. I need you and Scully down here right away. Scully: We'd better go. SHE PUTS ON HER COAT AND PROCEEDS TO GO OUT THE DOOR. Mulder: No! It was Samantha! It was Sam and she needed my help! Scully: Mulder. SHE GETS UP CLOSE TO HIM. Sam's not here anymore you've got to move on. Come on now, Skinner's waiting. SHOT OF MULDER'S CONFUSED FACE. THEN THEY ARE IN SKINNER'S OFFICE. SKINNER IS LOOKING OUT THE WINDOW AND MULDER AND SCULLY ARE SITTING IN THE CHAIRS SLOWLY TURNING THEIR HEADS TO LOOK AT EACH OTHER. SKINNER TURNS AROUND TO SPEAK AND MULDER AND SCULLY QUICKLY TURN THEIR HEADS AND LOOK AT SKINNER. Skinner: Up till now you two have been a vital asset to the Bureau. Scully: Till now? Skinner: Yes. Well. You agent Scully, will continue to work for us but you agent Mulder. You are a different parable (story). Agent Scully will you excuse us for a moment? SHE GETS UP AND LEAVES AND MULDER WATCHES. Mulder: Sir, are you firing me? Skinner: Oh on the antipode (Contrary) . I'm promoting you. Mulder: Sir? Skinner: You Special Agent Fox Mulder are no longer working for me but with me. Mulder: I see. HE GETS UP. And what does this promotion call for? Skinner: It calls for you, Agent Mulder to follow Agent Scully and make sure she gets her work done, and stays out of harm's way. Do you accept? MULDER IS ABOUT TO SHAKE SKINNER'S HAND... Mulder: Does this new job still have the same health plan? Skinner: A better one. MULDER SMILES AND SHAKES HIS HAND. MULDER IS WALKING DOWN TO HIS OFFICE AND HIS DOOR IS LOCKED. HE KNOCKS. Scully is inside: Sorry no one down here but the FBI's most unwanted. MULDER WALKS IN AND LOOKS AROUND THE OFFICE. SCULLY IS LOOKING AT SLIDES. SHE TURNS AROUND IS STARTLED. Mulder: Agent Scully. I'm Special Agent Fox Mulder I've been assigned to work with you. Scully: Oh, isn't it nice to be suddenly so highly regarded. Mulder: Actually I'm looking forward to working with you. I've heard a lot about you. Scully: Oh, really. I was under the impression, that you were sent to spy on me. SUDDENLY IT'S ALL A DREAM AND MULDER WAKES UP IN A COLD SWEAT WITH SCULLY BY HIS SIDE. Scully: What. What is it Mulder? SHE SITS UP BESIDE HIM. Mulder: Nothing. Are you hungry? HE GETS OUT OF BED. Scully: We just went out to eat. SHE IS SITTING UP IN BED. Mulder: I've got some sunflower seeds around here somewhere. SHE GETS OUT OF BED. HE LOOKS IN ALL THE DRAWERS AND UNDER THE TABLE AND IN THE FRIDGE. SCULLY CORNERS HIM AT THE KITCHEN SINK. Mulder: What's what? He tries to move but she holds him. THEY ARE LOOKING AT EACH OTHER. THEY FALL INTO A KISS AND GO OVER TO THE BED. Scully: I guess I am sort of hungry. Mulder: I know this great little 24 hr. coffee place down the street. Scully: Hmmmm. Maybe we should get dressed first. THEY GET DRESSED AND CUT TO A SHOT OF THEM IN THE CAR. Scully: You know, Fox. When I was in a coma I saw someone. Mulder: Who? Scully: My father. MULDER PUTS HIS ARM AROUND SCULLY AND HOLDS HER. Mulder: How did you feel. SHE LOOKS AT HIM. When you saw your father? Scully: I don't know I guess I was just happy to see him and I... Mulder: You what? Scully: I... I didn't want to come back. But then I heard your voice and mom's and Melissa's and I just... SHE STARTS CRYING. MULDER HOLDS HER. Mulder: Shhh. I'm just glad you came back... I mean hey, who else would I watch Superstars of Football with? SCULLY SMILES AND THEY HEAD OFF TO THE COFFEE SHOP. AT THE COFFEE SHOP. IT IS LIT BUT GLOOMY. THEY ARE JUST WAKING IN. THERE ARE NOT MANY PEOPLE. Mulder: See. I told you it was nice. Guy behind counter: Hey! FBI! MULDER SMILES AT THE GUY AND THEY BOTH SIT DOWN AT A TABLE IN THE BACK. MULDER IS FACING THE DOOR. A WAITER COMES. Waiter: So, folks what will it be tonite? Mulder: I think I'll have a regular coffee with milk and a Huge piece of pie. Scully? Scully: Just coffee thanks. MULDER LOOKS AT HER AND SHE LOOKS AT MULDER. And some pie. THEY BOTH SMILE AS IF THEY ARE ABOUT TO LAUGH. Waiter: O.k. comin' right up. MULDER AND SCULLY START LAUGHING UNCONTROLLABLY. PAN AWAY FROM MULDER AND SCULLY TO A DARK OLD FIGURE SITTING AT THE END OF THE BAR AREA STARING AT THEM. THE MUSIC GROWS LOW AND LOUD. THE FIGURE SLIDES A PIECE OF PAPER UNDER THE COFFEE CUP ON MULDER AND SCULLY'S TRAY. THE WAITER BRINGS MULDER AND SCULLY THEIR FOOD. THEY CONTROL THEIR LAUGHTER TO EAT. MULDER PICKS UP HIS COFFEE CUP AND DISCOVERS THE PIECE OF PAPER. THEY ARE STILL GIGGLING. Mulder: What's this? Scully: Well, deep analysis and observations would plausibly conclude that this SHE TAKES THE PIECE OF PAPER OUT OF HIS HAND is a piece of paper. MULDER SMILES AND DRINKS HIS COFFEE. SCULLY HAS A BIG GRIN ON HER FACE WHICH SLOWLY GROWS IN TO A NON-EXPRESSION AS SHE READS THE PIECE OF PAPER. Mulder: Scully. HE PUTS DOWN HIS COFFEE. What is it? SCULLY TURNS AROUND TO LOOK AT THE FIGURE BUT HE IS ALREADY GONE. SHE IS HOLDING THE NOTE UP TO HER FACE. Mulder: What is it what's wrong. Let me see that. HE GRABS THE PIECE OF PAPER. SCULLY GETS UP AND HEAD TOWARDS THE DOOR. Mulder: Scully. Wait stop. HE READS THE NOTE. Scully: Come on we have to go. We have to hurry! THEY STORM OUT OF THE COFFEE SHOP. Guy behind counter: Hey! Hey wait you didn't pay. Mulder rushing out the door: Put it on my tab! Guy behind counter: What tab? SCULLY IS RUNNING FRANTICALLY DOWN THE STREET. MULDER IS TRYING TO CATCH UP TO HER BUT HE CAN'T. SHE IS RUNNING SO FAST THAT THE TRIPS. SHE TRIES TO GET UP AND MULDER HAS CAUGHT UP TO HER. HE HELPS HER UP. Mulder: Here. Come on Scully. Scully: No! We've got to go! You read the note! Mulder: I know but wouldn't it be faster if we took the car! Scully: Oh. Ok. let's go. THEY RUN BACK TO THE CAR AND GET IN. MULDER STARTS THE CAR AND THEY DRIVE OFF. THEY ARE INSIDE THE CAR AND SCULLY IS WAY OUT OF BREATH. SCULLY STARTS HYPERVENTALATING. Mulder: Scully. Breath Scully! HE STOPS THE CAR AND TRIES TO HELP HER BREATH. SCULLY PASSES OUT. MULDER PROCEEDS TO DO MOUTH TO MOUTH ON HER. FADE TO WHITE. FADE FROM WHITE TO A BLURRY MULDER. SCULLY IS SEEING MULDER AFTER SHE WAKES UP FROM PASSING OUT. THEY ARE IN HIS APARTMENT. SHE IS LAYING ON THE SOFA. Scully: Mulder. Mulder! MULDER CALMS DOWN SCULLY. Mulder: Scully. Hey. Calm down. Scully: Did you? Did you get it? Mulder: Yeah. Yeah I got it. See. Scully: Where is it? MULDER HANDS SCULLY A BOX. SHE OPENS IT AND THERE IT IS. A GOLD AND DIAMOND RING WITH THE INSCRIPTION - THE TRUTH IS OUT THERE ON IT. Scully: A sigh of relief. MULDER AND SCULLY LOOK AT EACH OTHER AND SMILE. THEN THEY FALL INTO A KISS. PAN AWAY FROM THEM TO A PIECE OF PAPER WHICH READS: GOLD AND DIAMOND RINGS LAST ONE 645 WATER ST. COME NOW SCULLY COME NOW!!!!!!!!! SHALLOW THROAT the end OR... SECOND ENDING: IN THE CAR HOME FROM CHEZ LA RITZ: FADE FROM TOTAL WHITENESS TO SCULLY. HER DOOR POPS OPEN. SHE IS BEING LIFTED UP BY A LIGHT OUT OF THE OPENED CAR DOOR... Mulder: NO! Not again!. Scullyyyy. Noooo!!! Scully: Mulder! Mulder! wake up! wake up! THEY ARE IN MULDER'S BED. Mulder: "No!!!" HE WAKES UP. "Scully." HE HOLDS HER. Scully: I'm right here Mulder. It's o.k. SHE HUGS HIM. Don't worry everything is going to be alright. CU OF MULDER'S SWEATY FACE... HE'S HOLDING SCULLY... Mulder: (IN AN OUT OF BREATH VOICE) They were taking you away from me Scully. (CALMED DOWN WORRIED KIDS VOICE) I wasn't going to let them take you away from me. Scully: Oh. Mulder. No one is going to take me away from you. No one. Mulder: How can you be so sure of that? Scully: Because... I love you Mulder. TWO SHOT OF MULDER AND SCULLY SITTING ON THE BED in the dark with the only light source being the light of Dawn. MULDER GETS UP AND LOOKS OUT THE WINDOW. SCULLY FOLLOWS HIM. Mulder: I must have sounded completely implausible back there. (chuckles) Scully: Which part? Mulder: Huh? Scully: You said you must have sounded completely implausible back there, which part do you think sounded implausible? MULDER TAKES SCULLY INTO HIS ARMS AND KISSES HER AS THE SUN RISES. the end :)which one do you like?:) COPYRIGHTS APPLY. Scully/Queenie/SLIDER in T.O. XXXXFOXMULDERXXCHRISCARTERXXDANASCULLYXXXX X X X "Dana Katherine Scully" X X :) X X scully1@vcn.bc.ca X X bm814@freenet.toronto.on.ca X X X X Sundays at 9pm T K xxxxx xxxxx E R X X R Y X X SLIDERS S C X X Fridays at 8pm S E THE X FILES on FOX! K K X X I X X X SPACE: N X X X ABOVE AND BEYOND E X xxxxx xxxxx R X On FOX! X X X X MILLENIUM X X Fridays at 9pm X X On Fox! X X X X"I KNOW WHAT YOU WANT BUT IT'S NOT FREE"X XXXXMcQUEENXXXXXXXX58XXXXXXNATHANWESTXXXXX