From: Anne Hedonia <ahedonia@yahoo.com>
Date: Fri, 27 Jul 2001 12:55:07 GMT
Subject: NEW! "Condensation" (1 of 2) DSR, Sequel to "Steam"
Source: atxc

TITLE: Condensation
(Sequel to Kabochon's "Steam", which itself is a sequel to
my "Fire From Ice")

AUTHOR: Anne Hedonia

RATING: Oh, let's say R. Sexual stuff and the f-word.

CLASSIFICATION: S, MA, SA

KEYWORDS: DSR, Doggett/Scully, Mulder Angst, Scully Angst.
Slightly off-canon - to borrow a phrase from Melody Clark,
no baby on board.

SUMMARY: After talking the talk, Scully faces the walk.

SPOILERS: Not really.

DISCLAIMERS: All together now!

SHOULD I READ THOSE OTHER FICS FIRST? Yeah, probably. Judge
for yourself. You can find them both at my site:
http://people.we.mediaone.net/madmwazel.

ARCHIVE away, just let me know where you do.

SHIPPER WARNING: People who only want to read about MSR won'
t like this - and I mean, REALLY won't like this. (I
discovered this from experience.) People who hate Doggett
won't like this. For those people, we have some lovely
parting gifts. Tell 'em, Johnny!

AUTHOR'S NOTES: When I wrote "Fire From Ice", I had no
sequel in mind. I had just wanted escapist smut and a sequel
would mean Scully would have to deal with the hurt feelings
and other ugly, "real life" consequences of her choice in
that fic. Where was the fun in that? <g> Then Kabbie asked
me if *she* could write the sequel. I enjoyed the result,
but was surprised to find that it changed my mind. Suddenly
I *wanted* to deal with the aftermath, just get it all out
in the open. As I wrote it, I realized the therapeutic value
in it, given some circumstances in my own life. But you
don't want to hear about that, and I don't want to tell you.
;-) So read what Mulder and Scully and Doggett do with it
instead.

BETA THANKS: to FirePhile, who was so nice about me
traumatizing the living hell out of her ;-) , and to the
afore-mentioned Melody Clark, who says lovely things to me
that I believe, because what better expert is there than
someone who rocks so much herself?

FEEBACK: feels like air in my lungs. Send it to
ahedonia@yahoo.com

------------------------------

It's 1:31 am when Scully awakens and finds herself lost in
warm bed and a dark room. She feels a flash of contentment
when she realizes the reason. She looks over to see John
Doggett, sleeping beside her, one arm thrown back over his
head. The covers are low enough to show that he is
bare-chested, but  she smiles  she knows he is barer than
that.

She rolls over to watch him in this rare moment of true
candor. He lays on his back, head lolled to face her, but
doesn't snore  quite an unusual occurrence for a
back-sleeper. His mouth hangs slightly open. She thinks back
to when that mouth was kissing her, endlessly, after they
landed here, straight from the shower. She thinks of the way
its edges curled up shyly, and the sweet, softly rumbled
words that left it.

She feels her still-damp hair, curly against her face, and
smiles at the boyish disarray of John's pillow-styled 'do.
It sticks together in little short locks, like he was trying
to make shampoo horns. Her pleasantly-sore stomach muscles
tell the tale of their Olympic shower sex earlier. She's
going to be feeling this tomorrow, she thinks. She doesn't
mind.

She's feeling the way neurotics and certain federal
employees do when they're this happy: afraid. She's enjoying
this moment, but feels sure she'll be punished for it.
Afterglow for her is just waiting for the other shoe to
drop, and it doesn't take long. She is distracted from the
sound of John's soft breathing as she feels it. Suddenly...
she knows.

She rises  also bare  and moves quietly about Doggett's
room, scavenging for clothes to replace those she abandoned
in another room. She dons a big t-shirt that falls to her
knees, and wraps herself in a large, maroon-colored robe.
She watches John closely for signs she is awakening him 
she sees none.

Then, after a deep breath, she goes to the window.

She looks down into the yard and sees Mulder looking up at
her. His eyes lock with hers the instant she's visible. Even
from a second story window, the hurt and fury radiating from
his face are easy to spot.

She turns away and considers a moment, though she knows she
has no choice. She pads silently downstairs, and outside.

She is struck by the chilled air and the image of Mulder's
tall silhouette, backlit by a streetlamp, standing in a pose
that looks accusing even when his features can't be seen.
Her adrenaline races as she approaches him. She swallows
nervously. She wants to be brave for this, she wants to hold
onto herself and her decision. She wants to come out of this
in one piece. She is not the least bit confident that she
will.

She finds his eyes are still locked with hers, as she gets
nearer. She has the irrational feeling that his eyes have
been on her since she left the window, somehow following her
with x-ray vision through Doggett's house the entire time.
His eyes are red-veined, she notes, accompanying a flush to
his face and a wobble to his stance that can only come from
a hard night's drinking. He displays them brazenly, as
though they were badges of honor, decorations earned in war.
He came here after a bout of self-torture, she thinks. A
guilty wave passes over her. Well, perhaps a bit of my
torture as well...

A long, silent time passes between them, as Mulder's glare
cuts into her. Finally he speaks, his words tight and angry.

"Come home."

Scully looks at her bare feet, trying to control both her
guilt and her irritation at his arrogance. "What makes you
think you have a monopoly on home?" she asks quietly.

He gets angrier. "Don't fuck with me."

"Oh, and you're not fucking with me?"

"What did I do?" he challenges. "Point to even *one thing* I
did that would make you want to..." He nods upward at the
house, spits his words. "...do this."

She glares at him, says with her look that he is out of
line. He relaxes and backs off, his eyes rolling. It's just
like you Mulder, she thinks, to declare an impossible
standard, by which you will prove someone wrong. And yet
when you do, we all believe you. She shakes her head. Mulder
can do to perception what The Amazing Maleeni does to
spoons.

His anger regathers itself in his pursed, angry lips. "I
haven't done anything wrong." His voice cracks slightly.

No, she thinks, you haven't done anything differently. You'
ve lived exactly by the standard I once agreed to, the
standard we set up almost eight years ago. And today that is
exactly the problem.

"Mulder, certainly *you* should be able to understand that
the surface appearance of things doesn't always equal their
sum total."

She looks at him evenly. He steps back, swaying a little,
his anger burning white-hot. She can see his brain flailing
feverishly for something different he can say, something
that will let him control the situation. But there is so
little he can say that they both don't already know by
heart.

He looks her up and down, takes in the oversized robe, sees
the hint of a USMC t-shirt underneath. She watches his mouth
pull downward in a maudlin frown, and feels his torture at
seeing her come out of another man's house in this state of
dress. A drunkard's Archie Bunker-like belligerence quickly
wells up in him.

"What the fuck are you doing here?" he demands softly.

Her cheeks flush. She is angry at the manipulation, and
looks at him squarely: <If this is hard to look at, then you
only have yourself to blame,> she thinks. The instant the
thought is completed, Mulder recoils slightly, as though
physically struck.

Beneath the current state of his body, Scully can feel the
presence of the real Mulder  the Mulder she's always
known  throbbing strongly between them, as though through
her very veins. The pain he feels is bequeathed to her, as
always, causing the familiar ache in the back of her throat,
the ache all through her that she has felt in Mulder's
presence many times...the ache that she is consciously
trying to leave behind with her move toward Doggett.

She doesn't like being bullied. She determines that she will
move toward Doggett again.

Mulder senses it. Before she can take one step, he moves
toward her suddenly in an extravagant show of pain. He
swallows a small cry as he takes her face in his hands,
rests his forehead against hers, his whole body shaking with
emotion. Scully is alarmed at the sudden closeness - a
liberty taken without warning  but the hurt she feels from
him is so great, she's stopped in her tracks by it, pinned
like a butterfly. So much time together, she thinks, so much
between us that is being thrown aside like nothing. She's
not sure if the thought is his or hers, but an instant later
she knows it doesn't matter  wherever it came from, it's
true. She feels the remorse of it, the flagrant, inexcusable
waste. Her face twists with tears and anger at herself, then
even more anger at him. Before she's even aware of it, she's
put her hands to his cheeks, cradling him gently. She can
feel the satisfaction it gives him, his almost smug reaction
as he wins this little point.

"Scuh-leeee..." is all he says, a low quiet whimper. Even
that is unneeded, overkill hammering the point at her.

She marvels at his hold on her, at this bond, even as she
fights its undertow. It's like they share the same body, as
though she stands in his skin. She vaguely remembers a movie
fact from 20 years ago, and thinks that it's like she's
Elliott, and he's E.T. She sighs wearily as the thought
intrudes. <Please>, she thinks dimly, <no more E.T.'s...>

She opens her eyes to gaze at his long lashes, at his
endearingly misshapen nose, at his full lips pressed
together to hold back weeping, crushed till their
voluptuousness is lost and they're almost white. Of course
he is not without his sweetness, his innocence...his beauty.
His misplaced gestures of affection and care have the charm
of a boy who has not yet learned what adults need, and the
snarky humor of a man who knows his limitations.

But, Scully thinks...he is not a boy. And he can not forever
be given the forgiveness accorded one. Not at her expense,
anyway.

She thinks of a future with him, an endless repeat of the
past. She thinks of its bulldozer quality, the mighty sweep
of the machinery run by Mulder's personality. She thinks of
never once choosing where she wants to go, or when she can
get out of the car. She thinks that if he traps her now,
with his body's pull and his passion and his need, it will
be harder to resist the next time she wants to go. Given
enough tries, she will weaken until she can never get free,
and she will watch her life go by unlived, in little
daydreams of what her will would have chosen, had she chosen
her own will.

She knows what she has to do, and she almost sobs at how his
emotions will punish the both of them. All because of a
decision to care for herself.

He's talking again, murmuring a soft stream of despondent
whispers. "How, Scully, how? How could you do this? I don't
understand, I don't understand at all..."

She feels like an alcoholic in a liquor store, someone dimly
remembering his last meeting as blind need throbs in his
temples. She pulls away, forcibly, seeing Mulder's eyes turn
suddenly bereft.

--- continued in part 2 ---

--- (disclaimers, etc. in part 1) ---

"You said it yourself," she says softly, dreading his
reaction. "There has to be an end to this."

He stares at her, wild-eyed. He'd somehow never meant that
it be without him. But how could it not? The panic coming
off of him is hot, a wildfire scorching through her. It
refutes her decision and begs for its opposite. His face is
everything it's ever been in the past when he was begging
her, and more.

Scully can hardly bear the burden of his emotions pressing
down her resolve. She thinks that it may be impossible to
resist all this from him. His will may be more powerful than
she ever imagined. She wonders if it's likely that the thing
that now feels so wrong for her might nevertheless be what
happens.

And then she feels something else.

In a moment of purest amazement, she feels it wash over her,
warm and iron solid and comforting. She feels strength.

She feels it coming from behind her, and slightly to the
left.

It's coming from *him*.

She is breathless and astonished with a new awareness, the
realization of a nexus she had not figured on, had not
trusted to exist...but yet it does. Already.

And then she sees Mulder.

His eyes look past her, wide with unwanted realization. They
drift to her in disbelief, and tears spring to them, flowing
quietly and freely.

Scully reflects on a truth that she has long known: In
Mulder's world, if events don't go the way he wants them to,
he fights them, forces them. But only if he believes that
what he's forcing to happen will bring out The Truth. The
Truth is his only God. If he discovers that the truth of a
situation is something other than what he wants, he'll
concede it.

She watches him fight this one concession with every fiber
of his being.

His hurt is no longer aimed at her. She realizes in surprise
that it's not even aimed at John. His hurt and disbelief is
aimed at something bigger than all of them. He looks away
from her, gazes helplessly at the ground. "What did I do?"
he whispers hoarsely.

Scully turns to see Doggett behind her, knows exactly where
he is, and not just from watching Mulder. She sees him
standing loose-limbed, yet alert, eyes focused yet
unstrained, muscles fluid yet primed to pounce if need be.
His brow is furrowed with wariness  he is the statue of
David, in bare feet and pajama bottoms and a white Hanes
tee. She smiles, teary at the thought, overwhelmed by all
that is transpiring. He doesn't really feel a danger here,
she can tell, but it doesn't completely quell his anxiety.
His eyes alight on her, and she thinks of how thankful she
is to have his strength behind her, and how grateful she is
for the distance he allows her.

She turns back to Mulder, empathy filling her eyes. He can't
take it from her. He turns away, aimless with grief. She
approaches him carefully, reaches to grasp his arm gently.
He jerks away from her, fighting off a new outpouring of
tears.

"I know it will take a long time to settle this," she says,
almost inaudibly. "But we will get through it." She raises
her eyes to him, beseeching him just a little. "We get
through everything, remember?"

Her lip trembles. He cannot face her, is too intent with
choking back sobs. She has to get away from him.

She walks back toward Doggett, past him and up his front
steps. His jaw clenches slightly when he sees her face, but
he refrains from touching her as she passes - a wise move, a
kindness to Mulder, another point in his favor. Behind her,
she can sense Doggett and Mulder sharing a look, male
animals facing off  one of the animals withholding a death
blow from the weakened other  before he turns to accompany
her.

Scully's consciousness touches briefly back on Mulder's; the
pain he's feeling is unthinkable. The farther away she
walks, the less it hurts her. She steels herself to her own
heartlessness and keeps going.

Safely behind his closed front door, Doggett watches through
the window to track Mulder's crooked, meandering journey
away from them. Scully is relieved to realize he didn't
drive here, and hopes he will hail another cab to take him
home. When Doggett tells her he's rounded the corner, she
already knows.

The loss is like that of a limb. One amputated for a reason,
but still...she knows she will feel the phantom tickles for
a very long time.

She feels Doggett's hand sliding across her shoulder. His
touch is effortless at first, then she can feel his brain
kick in, causing him to doubt and his hand to tense and
recede.

She turns back to him, watches his uncertainty, sees him
search her face for signs of conflict. Though still shaken,
she feels for him. After an encounter like that, she
reflects, it's natural to wonder where her loyalties have
fallen, at least for the moment. She wonders herself. Her
brain has to remind her feelings what she decided was true,
back when she wasn't under siege. She feels no faith in her
own ability to do the right thing, feels weakened and
fragile. She pointedly takes John's hand and holds it to her
cheek.

He relaxes, with a gentle smile, takes her tenderly by the
back of the neck and pulls her into a protective embrace.
Scully's arms enclose him and she feels all her armor fall
away, her breath coming in quiet sobs as she lets it all go.
She squeezes the shelter of him and breathes it all into his
warm hard chest, where it disappears.

She can feel his confusion. She guesses that he's aware of
the connection *he* feels, but not the fact that she feels
it too.

"What happened out there?" he asks finally, and she can tell
that he's asking not just to assure her safety, but because
he doesn't understand.

Scully pauses a moment, phrasing her answer. "I'm learning
to say goodbye," she says.

He looks down at her  it's not the answer to the question
he was asking, but a moment later his smile blooms quietly
and she knows that he's happier with the answer he's seeing.
His breath comes out in a few quiet pants through his nose,
giving voice to something between a laugh and a sob. He cups
her face roughly, kisses her soundly, rests his forehead
against hers.

"What is it?" she chuckles.

He sighs. "You mean it."

Happy tears well up, hot in her eyes. "How many more times
am I going to have to tell you?" she teases.

"I'll never get tired of hearin' it," he vows. "I'll
admit...I still can't believe it."

His quick blue eyes are shining at her, the contents of his
soul on display in them. She tastes one of her own cold
tears a second before she arches her mouth upward to taste
his lips. "Believe it," she whispers.

He melts into her. She savors the flush that runs up her
body as his hands invade his borrowed clothing to touch her.
She backs them both up across the entry hall, pulling John
down with her to lay wantonly along the stairs. They settle
there as John pulls away with a small gasp. He looks down at
her, breathing heavily, a distinctly male grin spreading
slowly across his face.

"You ever watch the movie 'Risky Business'?" he inquires
huskily, clearly inflamed by the possibilities.

"No," she says. She feels her sense of self returning, and
is suddenly fiery with her own power. "Show me what
happens."

---------------

It is even later into the night now. She is dwelling in the
wee, wee hours, wrapped snugly in a lover's embrace.

She is half-asleep, her mind drifting pleasantly with recent
memories, mind pictures that surge every time she breathes
in and tightens his warm, heavy arms around her, inhales his
smell. She can remember the sensation of moving hands on her
body, movement and tension within her body, feral looks on
his face that made her thrill and want to cry.

Again, out of habit, she is dimly afraid that something will
ruin this peace. Her mind drifts to less-than-pleasant
feelings as well, but she shuts them in a mental cabinet,
for now. She will not ignore them, but they are for bringing
out later.

A second later, she feels it: a far-away tug of pain along
the nexus she and Mulder share, like the pulling of a fish
on a line.

This time she is not afraid. She is calm in the knowledge
that she does not have to answer it, not every time he
calls, certainly not right now. It is up to him to heal.

She is stripping away what she does not want around her,
leaving only what's essential. She is condensing her life.
It feels exhausting, ruthless and cleansing, like the thrill
after a hard run.

She snuggles closer to her choice, and drifts to sleep.

********

End.



~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Stolen sig du jour:
"Time, heat and pressure.  The same things that make a
diamond
also make a waffle."
    ~Scott Meyer




