From: "aka "Jake"" <nejake@tds.net>
Date: Mon, 22 Oct 2001 19:32:53 -0400
Subject: THE DISTRESSED DAMSEL (1/1) by aka "Jake"
Source: xff


NEW: THE DISTRESSED DAMSEL (1/1)

Title: THE DISTRESSED DAMSEL (1/1)
Author: aka "Jake"
Rating: R (Language) 
Classification: V 
Spoilers: Post-ep for "Lazarus"   

Summary: "And for those of you who don't know already -- this 
one's important to me." -- Fox Mulder in "Lazarus"  

Disclaimer: Do these characters really belong to Chris Carter, 
FOX and 1013 Productions? If so, no copyright infringement 
intended. Fun, yes. Profit, no.

Author's notes: In "Lazarus" we saw Mulder's first desperate 
search for Kidnapped!Scully. Remember how his brow creased 
when he talked to her on the phone while Willis held her 
hostage? ~sigh~ This ep was a wonderful glimpse at Mulder's 
growing attachment to Scully, and a great buildup to later eps 
"Tooms" and "Duane Barry." 

This story is dedicated to Clarissa, and she knows why. It 
starts mid-"Lazarus," so we won't miss a moment of 
Concerned!Mulder. 


THE DISTRESSED DAMSEL 
By aka "Jake"

DESMOND ARMS RESIDENT HOTEL
LULA PHILLIPS' APARTMENT

She was here. Multrevich ID'd her. ID'd them both. Agent 
Bruskin and I head down the stairs to the street. "Now *I'm* 
worried," he says, "Twelve hours with no word. I don't get it. 
Why's their car still sitting out front? Why didn't Willis 
call for backup?"

"Because it wasn't Willis who answered the hot line."

"What are you talking about, Mulder? You heard the recording. 
It was Willis' voice."

Jesus, I'm talking to a goddamn brick wall. Willis isn't 
Willis; he's Dupre, you f-- "Forget it, Bruskin."

Agent Bruskin isn't willing to concede. "Plus which, the 
manager just ID'd him *and* Scully."

"I said forget it." We're at the front door and I step 
outside. The sun is too bright. Where the hell is Scully?

Bruskin is right on my heels. "This isn't one of your X-File 
theories, is it?"

Fuck you. "It doesn't matter what I think. We're still after 
the same thing." Either I'm wrong or you're wrong -- it makes 
no difference; Scully is missing. She might already be--

My cell phone rings. Please, be good news. Please. 

"Mulder," I identify myself.

//FBI Centrex Operator. Please hold.//

I hear the operator open the line. 

"Guess who, Ace?" 

It's Willis. Or Dupre in Willis' body. I turn my back on 
Bruskin to hide the fact that this situation scares the shit 
outta me. 

"Willis?"

"That depends on who you ask, don't it?"

"Where's Scully?" If he's touched one hair on--

"You're the FBI. You figure it out."

"Let me talk to her!"

He considers it, and says, "Yeah. Sure."

I hear some rustling and then Scully says my name. "Mulder?"

Jesus, she's alive. "Dana, are you okay?"

"Don't--"

Shit! "Dana?" God damn it! The son-of-a-bitch cut her off.

He thinks he's-- "Okaaaay," he says, "That's it. Good-
bye."

Fuck. 

- - - - - -
FBI HEADQUARTERS
WASHINGTON, DC

//I feel myself getting into their heads and I'm scared by 
what I'm feeling. The intoxicating freedom that comes from 
disconnecting action and consequence. Theirs is a world where 
nothing matters but their own needs, their own impossible 
appetites and while the pleasure they derive from acts of 
violence is clearly sexual, it also speaks to what Warden 
Jackson called their operatic devotion to each other. It's a 
love affair I almost envy.//

I've listened to Willis' tapes a dozen times, gone over his 
field notes, Dupre's file. There has to be a clue here -- 
something that'll lead me to Scully.

She said she and Willis dated for almost a year. Did he know 
her better than he knows Lula Phillips and Warren Dupre? Did he 
love her? I'm hoping he can keep her safe from Dupre. For 
Scully's sake, I'm hoping some shred of Jack Willis still 
exists.

*          *          *

"This is it," the agent says, looking at me. 

Finally. A break -- I hope. I take the phone from him.

//Listen carefully.// 

The voice is Lula's. I ask her, "Where's Willis?"

//Oh, he's lying around here somewhere.//

What the hell does that mean? "Let me talk to Scully."

//Not this time.//

"We don't deal unless we know Scully is alive."

//Oh, she's alive. She's not happy, but she's alive.//

"You listen to me -- you lay one hand on Scully, and so help 
me, God--" I picture myself strangling this woman.

//If I were you, I'd stop talking and start passing around the 
collection hat 'cause if you ever want to see Scully again 
it's going to cost you a million dollars. Have it by this time 
tomorrow. I'll tell you when and where.//

Shit, she doesn't realize -- Bureau policy prohibits 
negotiating with kidnappers.

- - - - - -
LULA'S HIDEOUT

We located her. Lula's phone call provided the clue we needed. 
She's hiding in a rundown, two-story house not far from the 
airport. God, please let Scully be okay. 

"FBI! FBI!" Bruskin shouts as we storm Lula's front door. We 
hear a gunshot just as the door bursts open.

"Jack!" Scully yells, her voice full of fear and concern.

I rush to her while Bruskin checks Willis. Her lip is bleeding 
and she's on the floor, handcuffed to the radiator...but she's 
alive. "Scully, are you okay?" 

She cranes to see past me, to Willis. "Jack!"

"Scully, are you hurt?" I crouch beside her, try to get her 
attention. I want to wipe the blood from her face.

"Is Jack okay?" she asks Bruskin. "Unlock me, Mulder." She 
rattles the cuffs and rises to her knees. Her wrists are raw 
and swollen. She's pissed at me for being so slow. 

"He's dead," Bruskin says. "They're both dead." 

This news collapses Scully back onto her haunches. Her eyes 
are fixed on Willis' body. She breathes through her mouth and 
shakes her head. "Mulder?" 

I get the cuffs off her, help her stand. When she tries to go 
to Willis, I hold her back.

"There's nothing you can do," I say as gently as I can. 
I tilt my head, putting us at eye level. "You're bleeding."

"I'm fine." She swipes at the blood, smearing it. 

"Let's get you checked--"

"I said I'm fine, Mulder. Let me go. I need to see Jack."

"*I* need to know you're okay." I lock eyes with her. I can 
feel her soft, panting breath on my cheeks. "He's dead, 
Scully. You can't bring him back. Not again."

Sorrow threatens to spill over her lashes, but her anger 
refuses to let her tears fall. Not in front of these men. Not 
in front of me. Shrugging off my hands, she shoulders past me 
to the door. 

- - - - - -
FBI HEADQUARTERS
WASHINGTON, DC

"Hi." I don't know what to expect. Scully is cleaning out 
Willis' desk. Her face is unreadable. I dig Willis' 
wristwatch from my pocket and hand it to her. "I got this from 
the morgue, along with the rest of his personal effects. I 
thought you might want it."

The back is inscribed. A gift from her, I'm guessing. **We 
dated for almost a year.** She takes it.  

"'Happy 35th, Love D.' I got it for him three years ago."

Right. I point to the box. "Next of kin?"

"Uh...no. Jack was an only child. Both his parents died when 
he was in college. There's a kid over in Parklawn. Jack's been 
his Big Brother, so I'm going to go and see him tomorrow." 

No wonder she dated Willis. Tall, dark and selfless. 

"What am I going to tell him, Mulder?"

"The official story."

"Which is?"

"Fugitive Lula Phillips died yesterday in a shoot-out with 
federal agents, which also resulted in the death of Special 
Agent Jack Willis -- killed in the line of duty." 

I hate lies like these. They ignore the facts in the name of 
honor. Everybody ends up feeling good, but the truth stays 
buried.

Scully sighs and then sits down at Willis' desk. She 
looks...confused. "What am I supposed to tell myself?"

I'm guessing her question is rhetorical -- she doesn't really 
want to hear my theory. I decide to go home, let her come to 
her own conclusions. We can review the case in the morning. 

I tell her, "Good night." 

She doesn't hear me. She's looking at the watch. "It's not 
working," she says. "It stopped. At 6:47."

I can't help myself. I want her to see the truth. "The exact 
time that Jack went into cardiac arrest at the hospital."

"What does that mean?"

"It means..." Leave it alone, Mulder. She's not ready for it. 
She just lost someone who meant a lot to her. "It means 
whatever you want it to mean," I say; my answer is as dishonest 
as the FBI's official story. She seems relieved. Maybe it is 
okay to lie sometimes. "Good night," I say again, leaving her 
to finish packing. 

- - - - - -
MULDER'S APARTMENT
LATER THAT NIGHT

I'm snoozing on the couch when I think I hear a knock on my 
door. 11:40. Must be the televi--

Nope, a definite knock. I haul my ass off the couch, shut off 
the TV.

"Coming," I yell. A second later, I open the door to find--
"Scully?"

For some reason, she seems startled by the sight of me. Is it 
my clothes? I'm dressed in sweats and an old tee, but they're 
clean. Her eyes focus on my bare feet. She asks, "Can I come 
in?"

"Uh...sure." I stand back and she walks beneath my 
outstretched arm. "Are you...are you okay, Scully?" I shut the 
door and trail her to my living room. She stands beside my 
coffee table and faces the window. Her eyes travel across my 
desk, the couch, the fish tank.

"I've never been in your apartment," she says.

"Oh. The cleaning lady comes in June." Does the place smell 
bad? I take a little sniff. Seems fine. "Sit down." I 
gesture toward the couch. "Can I...can I take your coat?"

"I shouldn't stay."

"You came all the way over, Scully. You must have something on 
your mind." 

She turns to face me. "Could Warren Dupre really...I mean...is 
it possible...?"

Is she ready for the truth? Really ready? Or did she come here 
to hear me corroborate her version. She looks exhausted. "I 
dunno, Scully. You heard Professor Varnes. When cells die, 
genetic material begins to unfold, and a tremendous charge of 
energy is released. You're the scientist. You tell me."

She walks to the couch, sits, shakes her head. "But the human 
consciousness... To suggest it can transfer and survive in 
someone else's body...that's a leap I don't think I'm willing 
to take."

I sit down, too, on the opposite end of the couch. "Then why 
are you here?"

"Because...because you believe." She pins me with a haunted 
stare.

"Scully...it's not that I believe so much as...I *want* it to 
be true. I hope it's true."

"Why would you hope someone's soul could invade another 
person's body?"

"I don't. I don't hope for that specifically."

"Then what?"

How do I explain to her? How do I explain that I need to 
believe in the plausibility of the fantastic, or else there's 
no hope of ever finding Samantha. 

"I don't kid myself, Scully. I know there's a difference 
between hope and expectation. My job...*our* job...is to find 
the truth -- no matter what it is."

A sigh sifts from her lungs. She tips her head back into the 
cushions and closes her eyes. A bruise shadows her lower lip 
where Willis...where Dupre struck her earlier. I fight the 
urge to move close enough to touch it. I opt for tickling her 
finger with my thumb. My touch opens her eyes.

"I don't think I'm cut out for this, Mulder."

I withdraw my caress. "For what?"

"This job. The X-Files. Working with you."

It's been a rough month for her. She lost her father. Then some 
alien asshole in Steveston, Massachusetts, tried to jump her 
bones, do the nasty. Now this thing with Jack Willis. I can 
hardly blame her for wanting a little normalcy. 

"Take a break if you need it, Scully, but don't give up. 
You're good at this."

Her eyebrows shoot upward. "You're joking, right?"

"Scully, you profiled Tooms. You saved my ass in Icy Cape. You 
solved the L'Ively case." I reach for her hand and hang onto 
it this time. "You don't have to believe what I believe. But
you have to respect the truth."

She considers my words. Nods her head. After a minute she says, 
"I loved Jack at one time, you know."

Tall, dark and selfless. 

Her brows draw together as she struggles to understand what 
happened to the Jack Willis she once loved. "He knew all 
about her."

"Lula?"

"Mmhm. He knew her birthday and her favorite color. Do you 
know my favorite color?"

"Pink?" I guess.

"Pink? No." She's annoyed, but I'm pretty sure it has nothing 
to do with the color question. "He knew the private 
conversations they'd had. How...how would he know those things 
if..." She draws away from me, hugs her arms to her chest. 
"Mulder, for a second I thought I saw..."

Say it, Scully. Admit it, to me, to yourself. "Saw what?"

"Nothing. I was tired. He was Jack, Mulder. He remembered our 
trip to his parent's cabin in Pine Barrens. He remembered the 
snowstorm and the woodstove, and wrapping us both in a 
blanket when the fire burned out."

"Jack was still in there, Scully." I want to add "with Dupre," 
but I don't. Is a half-truth a lie?

She lets her arms drop to her sides. "Call a cab for me?"

"I'll drive you."

She stands while I slide into my sneakers. I leave the laces 
untied. She's looking at my apartment again. Shit. The place 
is a mess. Her eyes land on the latest issue of Celebrity Skin 
beside the VCR. 

"What's your favorite color, Mulder?" 

"I'm colorblind."

"You are? I didn't know that."

My coat is balled up in the chair beside the desk. I grab it 
and put it on, follow her to the front door. Scully and I have 
been working together for almost a year. We hardly know each 
other. Would I be able to tell if someone's soul invaded her 
body, displacing the real Dana Scully?

"What's *your* favorite color, Scully?" I open the door and 
we step into the hall.

"Not pink." 

We walk to the elevator.

"Blue?" 

"No."

At the elevator, I push the down button and the doors slide 
open. We step inside. 

"It's green, isn't it? Is it green?"

She looks me in the eyes and seems to relax a little. "Yeah, 
Mulder," she says, "I like green." 
    

THE END
  

Author's notes: For those of you who are as nitpicky as I am, 
"Lazarus" presented us with additional evidence that CC is no 
math geek (as if we needed more). Check out his arithmetic in 
this scene [Mulder is briefing several agents during the 
search for Scully]:

"Okay, from our last phone contact we've identified what 
sounds like light aircraft taking off. Now, Washington County 
Regional Airport happens to fall within our area, just south 
of the state line. Since takeoffs are north to south it's a 
fair bet that our target area lies along this flight path. For 
those of you who remember ninth-grade math, that gives us an 
area of just over three square miles to cover -- roughly 1000 
households. With 100 law enforcement officials at our disposal 
at about 30 households per man per hour we should be able to 
canvass the entire area in about three hours. Agent Bruskin 
will grid the target area and divide it among the teams."

Three hours? According to my calculations, 1000 households 
divided by 100 law enforcement officials equals 10 households 
per man. If each man can cover 30 households per hour, (i.e., 
one household every two minutes, which is pretty fast, I have 
to admit), the entire search should take only 20 minutes. 

Hmmm. No wonder Scully was pregnant for 13 months.

Obviously, I'm spending waaaay too much time trying to 
reconcile CC's number crunching. Perhaps I inherited my dad's 
love of equations -- he's a retired math teacher.   

Feedback, good or bad, is welcome on this or any of my 
stories. Send comments to nejake@tds.net.

You can find all my fic at 
http://aka "Jake".xfilesfanfiction.com/
