From: ephemeral@ephemeralfic.org
Date: Mon, 23 Mar 2009 12:32:57 -0500 (CDT)
Subject: The Ineffable Aura of Planet Spooky by bravenewcentury
Source: direct

Reply To: bravenewcentury@gmx.com


TITLE: The Ineffable Aura of Planet Spooky
AUTHOR: bravenewcentury
E-MAIL: bravenewcentury@gmx.com
DISTRIBUTION: Ephemeral, Gossamer, please ask 
for anywhere else
RATING: R
CATEGORIES: VRH, post-episode
KEYWORDS: Mulder/Scully romance
SPOILERS:  all things
SUMMARY: Iced tea and aliens. Not the sort of post-ep you are 
thinking of.






The first thing Mulder wonders is why he never remembers to 
close the damn blinds. The bed is striped in dappled bars, falling 
slanted across his face, and he squints and reaches up to try to 
rub the sleep out of his eyes. He's somehow managed to 
gather up the whole duvet about himself, tangled around his 
bare legs and sliding lazily off the bed to his left. There's 
still a soft impression in the other pillow, and as he pulls the 
duvet up over his head he can smell the remnants of the night, 
sweat and sex and Scully. Now that is a combination.

He wakes alone more often than not, still- she's strict about 
maintaining their appearances at work, and it is, unfortunately, 
Monday morning- but compared to waking up on the couch 
with yesterday's shirt stuck damply to his back this is 
paradisiacal.  The events of last night still seem imprinted in the 
very air of the room; her silhouette in the doorway, blanket 
draped around her shoulders, green sweater pooling on the 
floor, her breasts, her hands, her _mouth_...

They've been sleeping together for a few months now- and 
that thought is almost ridiculously amazing in itself, after seven 
years of contrived misstepping- but it seemed like something 
even more significant had settled into place yesterday than the 
first night she pulled him back from her door and whispered 
"Stay". There was a sea-change in her eyes. It wasn't the sort of 
thing that anyone else would have noticed, anyone who hadn't 
been looking at her for too many years, making up for what he 
couldn't touch with the eye's subtle cartography, but 
somewhere between dying ex-lovers and the voice of God 
she'd found him a smile he had never seen before. He feels like 
Columbus.

With an unpleasantly familiar shriek the alarm announces 6.30 
am, and he slaps at it and pushes the duvet away. He almost 
wishes he could stay in bed, luxuriate in the sheets' warm 
afterglow, but the echoes of Scully beside him hardly compare 
to the original specimen holding forth in their basement 
Batcave. And if he's lucky, she might let him steal a kiss in the 
elevator again, or somewhere else that's unlikely to be 
surveilled. He's fairly grateful that not too many of his fantasies 
about her feature the J. Edgar Hoover building any more, or 
making it through the workday might be even more difficult.

The tap drips on in a steady monotone as he pads into the 
bathroom. The spare toothbrush- her toothbrush- is propped 
up affably next to his, and there's still a little water pooled 
around the drain in the sink. He has spent years on her trail, 
following any scrap of evidence, and it's lead him right back 
round into his own apartment. He steps into the shower and 
lets the steam coil out like a smoke signal in the small room.

After dressing Mulder walks into the kitchen in his shirtsleeves 
and picks a clean bowl up from the drainer, rummaging in the 
cupboard for cereal. The coffeemaker is warm, a dirty mug left 
in the sink, and as he pulls out the pot to pour himself some he 
notices the little scrap of paper caught underneath one corner. 
It's a five-day old receipt from the local 7-Eleven for milk, fruit, 
yoghurt, teabags- she's taken to picking up certain things on her 
way over- but on the back are a few defunct scribbles and a 
handful of words pressed up small along one side. He turns to 
hold it under the light. 

'Let him kiss me with the kisses of his mouth/for your love is 
better than wine.'

Even now he would still be hard pressed to say exactly how long 
he has really been in love with Scully, to pinpoint when it was 
that trust and friendship and standing back to back with her as 
the whole world went to Hell had burst like a nova into 
something greater and far more terrible, but sometimes he 
really has to wonder why on earth there was ever a time that 
he wasn't. She writes in loops and whorls, like fingerprints left 
on a page. He turns back to fill up his coffee mug and tucks the 
receipt into his shirt pocket.

The mornings are getting warmer as the spring draws into 
summer, and as he strolls down the street towards his car the 
low sun stretches out his shadow before him, going impossibly 
far. Traffic on the I-395 is slow; he chews on a sunflower seed 
and watches a little flock of seagulls wheeling above the 
cramped crawl of the cars, circling on an early thermal and 
pulling off towards the Potomac, the distant swell of the 
Atlantic. They vanish into the river-mist horizon as he makes his 
way on.

Into the city itself and the Bureau car park is slowly filling up, 
the great daily chorus of neat black suits and set expressions, 
and he thinks of Scully laughing as he kissed his way up her arm 
and surely he can't be hiding it in the slightest, smile caught 
up on his face like a secret over-told. She is already sat at the 
table when Mulder enters their early meeting, his argent and 
marmalade stoic in her most indifferent expression, and he 
resists the urge to touch her shoulder, squeeze her hand, as he 
slips into the seat next to her. She glances him a greeting, the 
smallest inkling of a smile at the corner of her mouth. There is 
truth in their shortest epistles.

AD Arnold is trying to make some elaborate point about murder 
rates in the Midwest, jabbing at the chart with his pointer as if 
he's going to mine out meaning from its skittering veins of 
colour. Next to him at the head of the table Skinner is nursing a 
mug of coffee, staring at Arnold with a glazed expression. Scully 
shifts slightly in her seat and brings her foot over to rest 
companionably against his. Under the table, her fingers brush 
against his knee, and he meets them with his own for the 
briefest of moments. They don't look at each other.

Across the table from them Danny Walton from Media 
Relations is pretending to make notes on his legal pad, looking 
around surreptitiously at the rest of the table. He glances at 
Scully, back down to the pad, then at Mulder, and catches his 
eye. Danny's mouth quirks in a little half-smile, his eyes flicking 
to Scully again, and he winks so obviously they probably saw it 
on Capitol Hill. 

"So you see, this is the kind of thing we're dealing with," Arnold 
drones on, flipping over the chart to a street map of 
Indianapolis scattered with multicoloured dots, which he taps 
absently. "This serves as a reasonable visual aid, but of course 
the real pattern of behaviour is easier to understand out in the 
field." Mark Short from VCU cranes his head over Danny's 
shoulder and snickers at whatever really is happening on that 
legal pad. Skinner is looking imploringly into his now apparently 
empty coffee mug. After an unrelenting twenty minutes Arnold 
pauses in his unwitting soliloquy and glances expectantly 
around the room.

Skinner pounces on the respite. "Graham, do you think we 
could take a five minute coffee break? I think it's still, ah, a 
little too early in the morning for some of us." He directs a few 
significant looks around the table, counting himself quite out of 
this group, of course.

Arnold shrugs. "Well sure, as long as it's only five minutes," he 
says, in exactly the same tone of voice he had been using to 
discuss a series of decapitations in Detroit. Law enforcement, 
Mulder reflects, is truly a warped system.

Standing up from the table as quickly as he can he catches a 
glimpse of Danny's pad as the man fumbles for his thermos 
mug. On the top page is a half-finished doodle of the meeting 
table, complete with a wide-mouthed Arnold with the pointer 
jabbed halfway through the chart, and a trail of sleepy Zs rising 
from Skinner's bald head. Mulder sees that he and Scully are 
surrounded by a wobbly-edged aura, and have matching pairs 
of setaceous antennae sprouting from their heads.

Scully puts her hand on his elbow for just a moment. "Nice 
drawings Danny," she says, leaning over the table slightly, 
"you've really captured something of Agent Mulder there." 
Danny has the good grace to blush, but he pulls the sheet off 
and offers it to her with that little half smile again. She folds it 
up and slides it into her pocket as they walk out into the 
corridor.

Mulder stretches his arms above his head and rotates them 
slowly back down to his sides, a few centimetres from the 
classic teenage boy move with Scully walking a little ahead of 
him. "So, good meeting huh?"

"As scintillating as usual," she says, turning to arch an eyebrow. 
"Good of you to join us this time Mulder."

"What can I say, Scully, I just woke up full of the joys of spring." 
They turn a corner around the bullpen, towards the drinks 
machine. "It is kinda stuffy in that room though, especially on a 
day like this. I think I'm starting to get a headache."

"What kind of headache?" She glances back over her shoulder 
somewhere between amusement and concern.

"Oh, a really bad kind, like I might need to immediately go and 
spend a few hours in a darkened basement, then go eat a nice 
lunch somewhere."

"That's terrible Mulder," she says, and he can hear the smile in 
her voice. "It sounds like you might even need medical 
supervision, to make sure the problem doesn't become any 
more severe." They stop at the drinks machine and he props 
himself up against it; she glances him up and down, jacket 
raised and his shirt tugging out of his waistband slightly.

"That bad, Dr Scully?" he asks as she thumbs change into the 
machine. "Well I wouldn't want to disregard professional 
advice."

"That would be most unlike you." Two cans rumble out, and she 
passes him an iced tea. Their fingers touch. This, he thinks 
suddenly under the strip-glow of the office lights, is the last 
love affair he will ever have; this small, fox-haired woman with 
her sharp corners and her keyless eyes. There could be nothing 
after.

"So how about that darkened basement then?" Scully clinks her 
can against his in a toast. "But it's your turn to explain our 
absence to Skinner."

"I think 'I was drugged' is starting to wear a bit thin, 
unfortunately." He pulls his jacket closed one-handed to button 
it back up, and feels the annotated receipt crinkle over his 
heart.

The elevator is already occupied when they get in, to his 
chagrin, but they stand as close as professionalism and the 
presence of a female agent with her arms full of files will allow. 
Scully fishes Danny's doodle out of her pocket and unfolds it, 
studying it like an x-ray. He leans his head over her shoulder.

"Well he got the shape of your antennae all wrong, Scully, it's 
quite disappointing." The file-bearing woman makes a sound 
somewhere between a cough and a splutter, and stares 
intently at the elevator buttons.

"The radioactive glow is a nice touch though," Scully says, taking 
a swig from her can. "The ineffable aura of Planet Spooky."

"Our Kool-Aid is the best," Mulder agrees. They'd barely made 
eye contact during the meeting, but in the picture Danny has 
them looking at one another, circled off together in their own 
orbital glow. The elevator dings for the basement and they walk 
out side by side through the sliding doors.

He picks up his basketball just inside the office door and 
bounces it off the ceiling, dislodging a pencil, as Scully walks 
around his desk, folding back the edges of Danny's drawing. 
She picks up a drawing pin and tacks it up on the wall between 
De Loys' Ape and a newspaper cutting about a shower of turtles 
in Tallahassee last October. They had sat in his hotel room 
eating salty peanuts out of the mini-bar and watching lightning 
chase along the edges of the sky.

She is still contemplating the picture as he finishes the last of 
his iced tea, the light from the window above hallowing the set 
of her shoulders and the angle of her head. He wanders over to 
perch on the edge of the back desk beside her. She doesn't 
look at him. In the picture, their hands are parallel on the table, 
almost touching.

"I love you," she says, almost absently, and for half a second he 
stiffens involuntarily, half-expecting to hear the clarion of the 
Fraternisation Alarm, for the sprinklers to come on or 
something. When the federal government carries on 
apparently unheeding he leans forward and rests his forehead 
on her shoulder. She lifts her hand and touches his cheek, the 
edge of his jaw. "How's your head?"

"It feels better over here," he says to her breasts, and she 
scrunches her fingers in his hair, momentarily possessive. A bird 
lands on the skylight, sending shadows fluttering over them, 
little dapples of light. He breathes her in like the morning.


