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  ML's e-mail address has changed to: msnsc21@yahoo.com
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From: ephemeral@ephemeralfic.org
Date: 4 Jan 2005 00:37:59 -0000
Subject: The Nature of the Beast by ML by ML
Source: direct

Reply To: msnsc21@aol.com


January 2, 2005
Title: The Nature of the Beast
Author: ML
Email: msnsc21@aol.com
Feedback: always welcome
Distribution: Gossamer, Ephemeral, yes; anyone else, just drop 
me a line.  Thanks!
Spoilers: S6 up through Alpha
Rating: PG-13
Summary: Mulder and Scully continue to work on their partnership 
in the aftermath of Two Fathers/One Son

Disclaimer:  These characters aren't mine.  They mostly belong 
to the actors who portrayed them, but Chris Carter created them, 
and Ten Thirteen and FOX own the rights.  I mean no infringement, 
and I'm not making any profit from them.

Thanks to Carol for beta and to Circe Invidiosa for giving my 
stories a beautiful home.

Notes:  This is the next story in a series that started with 
"Sounding the Depths," "Interval," and "Do Overs."  I don't 
blame you if you've forgotten them; the last one was written 
in 2003!  If you need a refresher you can find the others here: 
http://www.invidiosa.com/ml/index.html
You can still appreciate this story without having read the 
others, but I hope you will give them a look anyway.

=====

The Nature of the Beast
by ML

He is coming.  I expected that he would.  I won't say hope.  
I deal in behavioral patterns and probabilities.  I know his 
interests and I know that this is something that will pique 
them.

It's good to know that although I am physically weak, my mental 
powers have strengthened in comparison.  I can still observe 
though now I am forced to do so from afar.

I have always been alone.  I have always walked the solitary 
way, and met life as I chose to meet it.  When I could no longer 
do field work, I adapted.  I know the ancient rule: adapt or die.

He is a loner, too.  How rare it is to find a kindred spirit.

x-x-x-x

Flying to California is not what Scully had planned tonight.  
She almost sighs but catches herself just in time.

Mulder seems engrossed in the book on his lap, but he turns to 
her.  "Did you say something?"  he asks, his finger holding his 
place open. 

"No," she replies.  She can't express her frustration at being 
called out of town again so soon after the last case.  They'd 
barely started settling back into the basement office after 
their recent re-assignment to the X-Files.  That isn't the only 
reason, of course.  The other reason is personal and therefore 
she will not speak of it.  It's hard enough to admit it to 
herself.

Just the week before, not long after they'd returned from their 
undercover assignment in Arcadia, they'd actually gone out 
together.  Just for dinner;  Mulder had suggested casually 
that they celebrate getting the X-Files back.  He wouldn't 
have dared to call it a date, and even in her mind Scully 
didn't like to use the word.  But Mulder had offered to come 
by and pick her up at her place.  He'd  mentioned the name of 
the restaurant so that she'd know for sure it wasn't a working 
dinner.

She smiles at the memory.  He'd chosen just right.  It was a 
cut above their usual type of place but not formal.  Not wanting 
to appear too frilly or date-like, she'd changed into a silk 
blouse that was tailored but a bit low for work, and a softer 
skirt.  When Mulder appeared at her door, he'd forsaken suit 
and tie for slacks and leather jacket over a nice sweater.  He 
was freshly shaved and she thought she could detect a hint of 
cologne, very subtle, a secret shared only with her.  

He'd smiled as she opened the door, a real smile that lit up 
his face and made him look unfamiliar for a split second.  It 
was so unexpected, it made her wonder when they'd stopped 
smiling.

She'd smiled a lot that night, too.  They'd shared a bottle of 
wine and a dessert, spinning out their time together, getting 
to know each other again.  Mulder had seen her to her door at 
the end of the evening.  Their hands brushed together as they 
walked up the steps of her building, and she caught at his 
fingers, glad when they curled around hers.  Until that moment, 
she hadn't thought about what might or might not come next.  

They stood awkwardly at her door for a moment, reluctant to 
part but uncertain that they should stay together.

Finally, Mulder spoke.  "Work day tomorrow," he'd said softly, 
his eyes warm on her face.

She thought of their urgent kisses in her car a few weeks 
earlier, wondering if he was, too.  She'd nodded, ducking her 
head so he wouldn't see her expression.

He'd stepped closer, still holding her hand.  "So I should 
say goodnight."  There was just a hint of a question in his 
voice.

She could feel his breath on her cheek and his nose just 
brushing her temple.  She felt his fingers tip her chin up 
and then his soft, soft lips were pressed against hers.

They'd kissed, and paused, and kissed some more.  Soft, 
comforting kisses, simply touching lips to lips, over and 
over again.  She hadn't pushed for more, and he'd taken his 
cue from her.  They stood cheek to cheek for several moments 
before Mulder gently slid his fingers from hers. 

"See you in the morning," he'd whispered in her ear, and left 
one last lingering kiss on her cheek before turning away.

She'd turned away to unlock her door, then turned back to see 
Mulder standing at the open door of the elevator, looking back 
at her.

If she'd said his name or made a move, he'd have stayed.  

But she'd simply smiled at him and mouthed "goodnight" before 
turning to go inside.  She'd heard the elevator door slide shut 
just as she'd closed her own door.

It is a delicate dance they are performing, each taking a turn 
leading, watching to make sure the other is following along, 
then changing directions again.  It has its charm but it's 
also unnerving.  She's sure they both know where they are 
heading, and both are willing to get there, but they are 
determined to draw it out.

She hopes for more of the same.  A selfish part of her wants 
to be free to enjoy this without other distractions.

When she'd gone down to the basement earlier that evening, 
perhaps she'd been hoping for a repeat performance.  She'd 
told herself she was just checking on Mulder.  She'd been 
upstairs most of the day, working in her tiny cubby of an 
office.  Except for one trip to bring a load of files down 
earlier, they'd had no contact.  She'd kept herself away from 
him deliberately, wondering if he'd seek her out or if he'd 
comment on her absence.  He'd surprised her by not calling her 
every few minutes, which she thinks now was a gambit to get her 
to go down to the office.

It's a game and only we know the rules, she muses.  We're making 
them up as we go.

He'd discovered a case for them to investigate.  Maybe that 
was another way of luring her back down to the basement.  He 
dangled the bait in front of her, and she'd taken it.

x-x-x-x

I feel deceived.  He presented himself very differently -- or 
I perceived him very differently -- from a distance.  Perhaps 
I saw only what I wanted to see.  I was attracted by his mind, 
by his questions and observations, so open to my unorthodox 
views.  He expressed interest in my theories, and even shared 
some of his own.  But I am thrown by Fox Mulder.  His physical 
presence is more unnerving than I care to acknowledge.

I'm even more thrown by his partner.  I didn't expect the 
trappings of officialdom with his visit.  I had no idea that 
the FBI investigated cases like this.  I thought that his 
interest was personal.

If he and I were truly canids, it would be easier.  Our actions 
would be dictated purely by instinct and heredity instead of 
our frail human sensibilities.  My frail human sensibilities.  
He is not frail.  I feel certain he would be the alpha male in 
any pack, human or canine.

He is one of the few males I would allow to dominate me.

x-x-x-x

Scully can see that she isn't the only one who's taken the bait.

"We met online,"  Mulder said.  Why is she surprised?  He's 
mentioned some of the oddball chat rooms he's used as information 
sources in the past, but until now they had been just that -- 
Mulder's nameless, faceless sources, often dismissed by her for 
that reason.  But now Karin Berquist is characterized as a 
colleague, and Mulder calls his contact with her "two 
professionals exchanging information."

That isn't Ms. Berquist's view on the matter, Scully is pretty 
sure.  Had Mulder not heard the disappointment in her voice 
when she asked if he'd come for any other reason?  Does he 
attribute her attitude shift toward him as mere eccentricity?

Regardless, it doesn't look as though they'll be getting any 
cooperation from Ms. Berquist now, and Scully can't bring 
herself to be sorry about it.

Mulder doesn't seem to notice Scully's silence as they drive 
to their motel.  "We're in luck," he says.  "There's a diner 
next door."

"Oh joy," Scully says. Mulder seems not to notice the sarcasm.  
Is this the same Mulder that jumped on her every utterance in 
Arcadia?  Is he so certain of her now that he can ignore her?  
Or is she the only one having adjustment problems?

x-x-x-x

Karin Berquist is more of a cipher in person than Mulder 
expected.  Or, maybe he is now seeing her through Scully's 
eyes.  He shuts his laptop, rubbing his eyes.  At Karin's, 
he could feel Scully's doubts even when he couldn't see her 
face.  No doubt Karin sensed them, too.  He considers calling 
Scully on it, but isn't it what he wants from her?  
Professionally, anyway.  

She seemed open to coming to California for this.  More, she'd 
seemed intrigued by the case.  So why does he feel so defensive 
about Karin Berquist?  He shouldn't have to justify how he met 
her or what their relationship is.

Recent events have sensitized him to Scully's moods.  She is 
human, after all, and can also fall prey to human doubts and 
fears.  Yet it seems beneath her to be jealous.  Even mentioning 
the possibility to her is perilous.  On the other hand, for them 
the lines between the personal and the professional blur more 
with each passing day.  Before they got the X-Files back and 
things were going to hell all around them, he'd been dismissive 
of Scully's concerns.  She'd turned out to be right, up to a 
point.  He has yet to truly acknowledge that to her.

Will it always be this hard?  Will Scully question any and all 
females who cross his path, and how will he be able to tell if 
it's a personal or professional concern?

Maybe they are both seeing this through the filter of the 
personal now.  After their enforced togetherness in Arcadia, 
he'd made an effort to show Scully how much he cared about 
her not just as a colleague, but as the most important person 
in his life.  Maybe that gives her the right to feel a little 
territorial about him, but not at the cost of the work.  She 
has nothing to fear as far as Karin Berquist is concerned.

He decides that he's making too much of it.  He has to trust 
that Scully is behaving professionally, and if it's something 
different, she'll tell him.  He does trust her.

x-x-x-x

"What's next, Mulder?"  Scully asks at breakfast the next day.  
She has decided to make the best of this.  Karin or no Karin, 
there is a crime to be solved.  Mulder probably has something 
up his sleeve.

"I don't know for sure.  Maybe talk to Detwiler a little more 
about the animal.  What do you think about performing some 
additional work on the bodies?"  Mulder is making an effort, 
too.  He will not order Scully.  He wants to engage her on 
this.

"It seems odd --" Scully begins, but doesn't continue.  She's 
starting to go down a road she had resolved not to travel 
last night.

Mulder raises his eyebrows.  "Out with it, Scully.  Odd how?  
Odd is what we do, isn't it?"

Thank goodness Mulder expects resistance from her about the 
case.  It's not too late to make the argument about the case's 
merits rather than his would-be informant.

But how can she accuse him of holding things back if she is 
doing exactly the same thing?  "I have to admit, Mulder, that 
I don't always understand what motivates you."

"What do you mean?"

"I mean, this case."

"Is this where you ask me why I think it's an X-File?" Mulder 
asks with a raised eyebrow.

"I don't disagree that there's plenty unexplained here.  I'm 
just curious about the selection process.  It doesn't seem 
connected in any way with anything we've investigated in the 
past."

"I didn't think that was part of our criteria for selecting 
a case.  I find something worth investigating and I investigate 
it.  Isn't that the way it works?"

"I guess I'm wondering why this particular case,"  Scully 
admits.  "It's a long way to travel for a case that's already 
under investigation."

"You don't think it has merit?"  Mulder asks mildly.  This is 
a new variation on Scully's usual "how is this an X-File?"  
argument.

"If we went by my standard of what merited investigation, there 
are a lot of cases we wouldn't take," she says.

"No kidding," Mulder mutters before he can help himself, but 
adds in a more conciliatory tone, "Okay, I'll bite.  Give me 
your best shot as to why we shouldn't be here."  He turns toward 
her with a half-smile, hands palm up as if to show his openness 
to her.

She doesn't really want to argue about the case.  She tells 
herself to stop being such a coward about what she really wants 
to say.  She picks her way carefully.  "It just seems, sometimes, 
that you are...persuaded into investigating by someone who has 
a vested interest in the outcome.  That your sources know what 
it will take to get your attention."

Mulder shrugs.  "What can I say?  My life's an open book.  But 
I don't think that's what you're getting at here."  He raises 
his eyebrows at her.  Will she take the opening or not?  It's 
probably not the best time to get into a personal discussion 
but their timing sucks most of the time anyway.  He won't rebuff 
her if she wants to talk.

Scully doesn't answer.

After a minute, Mulder says, "Don't worry," with a small smile.  
"I may wear my heart on my sleeve, but that doesn't mean just 
anyone can take it."

Scully lets it drop.  The last thing she wants is a repeat of 
the Diana debacle, and she's afraid that if she continues in 
this vein, she will once again be accused of jealousy.   It's 
too late now anyway, they're already here.  And it's not about 
jealousy.

<But it is, isn't it?  Not just concern for Mulder, but 
competition for his attention.  You've always known that his 
work comes first.  Why do you think things are different now?  
And why should they be?>

Mulder's phone rings, calling them to the scene of another attack.

x-x-x-x

Despite common belief, wolves are not loners.  Perhaps that 
is why I felt I should seek Fox out once more.  I wasn't prepared 
for our initial meeting.  I couldn't let down my barriers.  
Especially not in front of someone else.

I notice his partner glance up at me and step away as I approach.  
Is she so certain of him?  I don't try to fool myself into 
thinking that she is conceding territory.

Fox is more distant this morning.  Am I the cause or is she?  
My small joke to him falls flat -- the easy camaraderie we 
shared online can't be recaptured in person.  Strange that we 
would have a closer connection from farther away.  But here 
there are too many distractions.  Part of his attention seems 
focused on his partner, part on the other activities relative 
to the investigation.  He introduces me to Detwiler -- and our 
mutual dislike is immediate.  If I had hackles, they would be 
raised.  He is implicated, I know it.  Fox thinks so, too, but 
not in the way I do.

Perhaps I have redeemed myself in Fox's eyes a little.  When 
I am able to show him the pawprints back at my place, he is 
completely engaged, oblivious to his partner's sharp questions.  
It is only when she leaves the room that he is distracted.  She 
is so protective of what she believes to be hers -- and yet she 
doesn't seem to value him or his ideas.

I watch him go to her.  I don't think he'll be here much longer.  
She will find a way to lure him back.

x-x-x-x

The drive back to the motel is silent.

Maybe Scully really is jealous, Mulder thinks.  All that talk 
about women being tricksters.  She's never had a very high 
opinion of her sex.  And yet she has more integrity than anyone, 
male or female, that I've ever known.

I supposed I can't blame her for being distrustful of some 
people's motives, but she seemed to have it in for Karin from 
the first meeting.  Why?  What does she see that I don't?

x-x-x-x

I've said all I can say on the subject, Scully thinks.  I've been 
as plain as I can be without crossing the line.

What is it about men that they can't see an obvious play for 
their attention?  Even she could see Karin's reaction when he 
touched her hand, and yet he remained unaware.

Except, of course, he hung on her every word.  He couldn't 
have flattered her more if he'd brought her flowers.  To be 
listened to, to be believed, is the ultimate compliment.

Mulder rejected her assertion of Karin's personal interest very 
gently, but it was still a rejection.  Scully has done what she 
can.  She will keep an eye on Karin, but she will not say 
anything more to Mulder about her.

x-x-x-x

The autographed picture on the wall at the vet's office is 
the last straw.  As she drives back to Karin's alone, Scully 
reflects on what she will say.  Other thoughts intrude and she 
tries to shake them away.  She sees Diana's smug face in a room 
full of agents, remembers her non-apology in the decontamination 
ward.

Karin Berquist is no Diana Fowley, Scully tells herself.  She 
represents no danger to you, or to the X-Files.  Maybe not even 
to Mulder, except that she can't bear to see him disappointed 
or deceived once again by something or someone who is other than 
she seems.

The meeting is not successful in any way that Scully can 
justify.  Karin doesn't pretend to misunderstand Scully, but 
she will not admit to Scully's assertions. 

"You watch but you don't see," Karin told her.  What the hell 
did she mean by that?  Scully sees plenty.  More than Mulder 
seems to, in this instance.  Still, she can find it in her 
heart to feel compassion for the solitary woman who has stood 
so far outside the mainstream for so long that she mistakenly 
believes Scully to be a part of it.

I'm as alone as Karin is, Scully thinks.  No matter that we've 
both chosen our own paths.

She will not pity herself.

x-x-x-x

I accused Agent Scully of not seeing, yet I'm as guilty.  Lying 
to Fox has only disappointed him.  And yet when I throw him 
another tidbit, he trustingly accepts it.  I listen to his call 
to his partner, calling her off the surveillance of Detwiler.  
His stubbornness blinds him to the obvious.

I have deceived everyone here, including myself.  Cyberspace 
is as seductive as the wild -- you are your own creature there, 
beholden to nothing and no one.  Civilization is what gets us 
into trouble: trying to maintain the veneer of what is considered
acceptable behavior.  No too-raw emotions, no following of one's 
instincts.

My instincts about Fox may have been wrong.  He may want to 
believe but he is more bound by society's rules than I 
realized.

No matter.  I can offer him one last bit of assistance, and 
in so doing, save myself from the trap of my own making.

x-x-x-x

Scully is displeased with him, and she makes it plain.  She 
turns her back to him and it's not until she dozes off that 
she relaxes her posture.  He stays alert, though it is now 
evident that their quarry is hunting elsewhere tonight.

He can't say that he blames Scully.  He believed Karin over 
her objections.  On the other hand, why would Karin lie to him?  
She seems to put a high value on the truth herself.  She laid 
herself bare when she confessed earlier that she had perhaps 
pinned higher hopes on meeting him than he'd realized.  Even 
in the face of Karin's confession, he'd wanted to believe she 
was telling the truth about Detwiler.  He'd told Scully very 
confidently that Detwiler would show up at the hospital to 
finish Officer Cahn off.

Now he wonders if his wanting to believe Karin was just a 
knee-jerk reaction to Scully's distrust of her.  He'd like 
to think he's better than that.

Or maybe he's just a jerk.  He remembers the shocked look on 
Scully's face when he refused to believe her about Diana 
Fowley.  He has been less harsh on this case, but nonetheless 
just as reluctant to trust Scully's judgment.

Time to make a confession of his own.  He stands up and wakes 
Scully.  "He's not coming here tonight," he says grimly.  "Karin 
knew that.  She lied to me."

x-x-x-x

There is no joy in knowing that she was right and Mulder was 
wrong.  The very thing she hoped to protect him from has 
happened anyway.

Her steps slow as she approaches the open door of the basement 
office.  It's well after office hours, but she knows he's still 
there.

"Mulder?"  she says softly.  "Are you going home?"

He looks up at her, eyes bleary and defeated.  There are still 
wounds to be closed here.  It's hard to be mad at Mulder when 
he's so hard on himself.  Instead, she tries to help him.

She asks, "Why wouldn't you believe her?"  Sometimes the 
wanting to believe is more seductive than the belief itself.  
They both know that.

Before she leaves, she hands him the package she used as her 
excuse to come down.  She's pretty sure she knows what it 
contains -- she'd noticed its absence from Karin's wall when 
they went up to her office after finding her.

x-x-x-x

He sits staring at the poster for some time.  What does he 
want to believe?  An easy phrase, a hard question.  Easy to 
want, much harder to express that want.

He wanted the X-Files back and he got them.  He wanted Scully 
back -- this is a little less certain.  Maybe that's his 
fault, too.

He wants to believe that the work they do is important to 
both of them, and that it will make a difference somehow.  
His personal cause has become more than personal now, 
ironically.  But at the same time, other wants and needs 
have become more personal.  Scully is now essential in all 
ways, not just as part of his work.

Does she know this?  Does she truly know this?  He's made 
a lot of assumptions but this is something that he should 
no longer take on faith, perhaps.  They'd both gone through 
some pretty thorough shakeups of beliefs over the years, none 
more than in the past year.

It's past time to say something about it.

Less than an hour later, there's a knock on Scully's door. She 
is unsurprised but nervous all the same.  She opens the door 
and there he stands.  He says nothing, just looks at her.  She 
can't read his expression.  Panic?  Sadness?  There's more to 
it than that.

She moves to stand aside, to let him in, and he steps up to 
her, crowding her.

Instead of stepping back, she moves forward.  He places his 
hands on her shoulders and then up to cup her face.  His thumbs 
caress her cheeks and lips.  He smiles, just barely, eyes not 
leaving hers.

This time they move forward together.

...the end

=====

feedback, as always, is much appreciated:  msnsc21@aol.com




