From: ISCCDancer <isccdancer@aol.com>
Date: 20 May 1998 05:46:37 GMT
Subject: NEW: Outside of Time VA, MSR (The End)

Classification: VAR
Rating: PG (for the angst)
Spoilers: Anything through The End
Keywords: implied MSR,  Diana Fowley,  angst
Summary: My take on how Mulder may have dealt with the events that
happened in "The End,"  and how he (and Scully) may have reacted post-fire
- but just a little bit past the end of the episode.
Archive: If anyone wants to archive this, I'd be flattered, just let me
know first. 
Notes: WARNING! First attempt at fanfic ahead. Feedback appreciated - I'm
really curious as to whether this seems in character, mostly for Mulder,
since it was kind of an attempt to get inside his head. I should be
writing a final paper on the iconoclastic controversies in the Byzantine
Empire - instead, I end up with fanfic. Don't tell my professor! :-) 

Disclaimer: Fox Mulder, Dana Scully, and anyone else mentioned in this
story don't belong to me, I'm just borrowing them for a bit. Please don't
sue, I promise to put them back right where I found them as soon as I'm
finished with them :-) 

**************************************************************************

Outside of Time, by Emily of Waco

One of the advantages of having a higher than normal IQ was the ability to
retreat into those mostly unused parts of the brain, where no one else
could follow. From the time he was a child, he had little blocks of
"missing time," but his weren't from any kind of alien abduction. He would
be sitting there thinking about something, and it would build and build
until suddenly it got so big it would seem to explode! ...and he would
find himself sitting there in his darkened bedroom, where the sun had been
shining only minutes...no, hours before. After Samantha, it became more
frequent. In his own little corner of time, outside of normal time, she
was still there. He liked living there, because the guilt couldn't catch
up with him. His little cerebral world, where he was in control, and no
one suffered and no one got taken away and he could just sit there forever
and not hurt ...not feel. Somewhere between that world and the tangible
one, the thought formed in his mind, I wonder if Gibson does this to get
away from the voices ...maybe his brain has enough space so he can just
stay there forever ...no, otherwise, why would he want to come back at
all? 

He had been over at Scully's, going over the EEG scans with her again,
making sure that their presentation of the facts - the *proof* - was as
airtight as they could make it. She'd seemed a little preoccupied, but she
told him she was just concerned about Gibson. She always seemed to bond
with the kids - he kept back a bittersweet smile at the thought. Someday,
when all *this* was over, he hoped she'd get the chance to raise her own
kids. The thought made him attack the work before him with a new
vengeance; the sooner they had answers, the sooner Scully could have her
life back. He pushed away the thoughts that maybe having the answers -
knowing the truth - would take them deeper into the darkness...what if
Krycek had been right, and *they* were planning...he didn't want to know
what, not right now. Focus on the task at hand; don't think too much;
withdraw from what you don't want to consider... 

And then the phone rang. The message was brief - Gibson was gone. Within
seconds, he and Scully were out the door, on there way to the supposed
safehouse where the boy had been kept.  The guard was dead, and Diana...

 Years ago, seeing her lying like that would have destroyed him. But that
was before, when he thought he meant something to her. Yeah, he did mean
something - he was a means to an end, someone with whom she could explore
outrageous theories, someone to talk to about the paranormal, who wouldn't
laugh her silly, but who would embrace the possibilities. But ultimately,
he refused to play the game. He wanted to dig deeper, not just observe the
out-of-the-ordinary.  When he started using these theories to explain
decades old unsolved cases - well, specifically, when he did so in spite
of subtle reprimands from his superiors - she urged him to tone it down,
to publicly go along with them to salvage his career. In essence, to deny
who he was, so as not to offend those above him. He couldn't do that, and
she couldn't live with his decision. She got international terrorists; he
got the basement ...and Scully. 

When Diana was asking him about his work earlier, she was making it clear
that she wanted to come back to her little hobby. But he could smile and
brush her off, because at that moment he realized that he didn't need a
partner who would verbally agree with his odd theories, who would let him
get away with just scratching the surface. He needed someone to make him
work, to validate his beliefs. He needed a Scully, simple as that. And so
he could interact with Diana as an old friend, with no longing, and no
regrets, because he had what he needed. So when he saw Diana being loaded
into the ambulance, and heard her prognosis, the sadness that settled over
him was one of regret that yet another friend was being punished for his
beliefs. And he felt more than a little guilt, because his first reaction
was a wave of relief that Scully hadn't been the one guarding the boy,
that she had been safe with him, where she belonged. <Thank God Gibson
wasn't there to "hear" him think that!>

The rest of the images were blurring together: the shooter's death, the
wrapper from the Morleys, the encounter with Spender. And then he was on
his couch, and Scully was there with him. He didn't have to try to convey
his sense of betrayal to her; she was inside his head more so than any
psychic kid could ever be. She understood both his rage and his sense of
helplessness that someone they should have been able to trust, someone in
the Bureau, would be allowed - aided even! - to help *them* ...*THEM,* the
shadowy group that was everywhere he turned, just waiting for him to mess
up so they could swoop in for the kill. And when waiting became too
tedious, they became proactive - hurt his partner, kill his father, hurt
his partner some more, destroy all the evidence, hurt his partner some
more... but what they hadn't counted on was that the more they hurt
Scully, the stronger and more determined she became. They had tried to
take her away before; now, according to the message she had relayed from
Skinner, they were going to try again.  - Oh, Scully, maybe you should
just give in...step away from me so they'll stop hurting you... 

Over and over, the refrain kept coming back to him: I should have seen
what they were trying to do...I walked right into it...If I'd been more
patient I could have prevented this... He would disappear into his
mind-world, then resurface to find that she was still there, in her own
pain, but not demanding anything from him, just as he wasn't demanding
anything from her.  She just stayed because she had to. That was one thing
he didn't have to think about - he could feel the cord that was binding
them together, that was keeping her here, that was pulling him back and
keeping him from drowning in his own mind. Looking at her, she, too, was
miles away - maybe it was all that was keeping her afloat as well?

"We can still fight this...even if they do separate us. We've done it
before."  It didn't matter which one of them spoke; it was both, it was
neither. It just had to be said, an affirmation that there was still
something to hope for... 

This time it was his phone. No information, just get over to the Hoover
building right away. From that point, nothing was clear. His limbs
trembling from the adrenaline rush, his heart feeling like it was going to
burst from his chest. Stumbling down the stairs.... and then finally...
the office ....he knew where he'd been, but not how long he'd been there.
It was still dark outside. Still emerging from his subconscious, he
thought that if he listened hard enough, he could hear the shards of his
heart as they clattered to the burnt floor of the basement. And then real
sensation began to register. Hands on his arms, a head buried against his
chest. The shaking of a body clinging to him. Amidst the ashes of his
life, a glimmer of hope was coming from this little red-headed beacon. She
held him and wept, for him, yes, but also for herself, for a quest that
had become a part of her as well. At that moment, he knew that his shadowy
opponents may have won this battle, but they'd just lost the war. By
taking so much from Scully, by using her pain to hurt him, they had made
his quest hers. Mulder had his belief; Scully provided the proof. 
Together they had the tools to not only find the truth, but to expose it
as well. The fire in this office hadn't been started merely hours ago, but
close to six years ago, when Dana Scully had first been sent to invalidate
his work. This fire destroyed barriers and reservations, and melded to
strong people together, making them stronger in the process. 

He could feel the remnant of the smoke burning at his throat and eyes, and
was almost overwhelmed again at the enormity of the work that lay ahead.
It wasn't going to be easy to rebuild what had been lost, but it wasn't
impossible either. He was still drawing in ragged breaths, trying to
decide if he was ready to face staying in the tangible world when he felt
her stir, trying to compose herself. "Mulder, there's...nothing we can do
here...right now. "  Mulder I can't face this right now. " Let's go..."

He surfaced again in the cab she'd called; neither of them was up to
driving anywhere. He felt a momentary panic as they pulled up in front of
his apartment and she just sat there. Surely she wasn't planning to leave
him alone right now?... his little seed of hope began to wither away
...and then she slowly reached for the door handle. Her eyes met his,
pleading, and it dawned on him that she needed him just as much as he
needed her right now. And they were inside his apartment, clinging to each
other for strength, finally, as the dawn began to break, releasing
themselves into an exhausted slumber on his old couch. Two separate
bodies, two souls fused together by fire.

**************************************************************************
Send all feedback to: ISCCDancer@aol.com
 -Emily of Waco


