From: Amory20@aol.com Date: Fri, 16 Mar 2001 15:26:16 EST Subject: New: Reality Check by JLB Source: xff TITLE: Reality Check AUTHOR: JLB CLASSIFICATION: MSR, Angst SPOILERS: *Okay, big fat spoiler warning here so please read carefully.* This story contains spoilers for episodes *post* TINH. If you aren't spoiled rotten, as I am, and do not want to be, please, please do not read this. Now if you are spoiled, please note that this story addresses things in a slightly different way than it seems CC will. Sorry, but I like my version better. FEEDBACK: Amory20@aol.com SUMMARY: Confronting reality DISCLAIMER: M&S belong to CC, 1013, and FOX. NOTE: Thank you to Michelle who asked for this story, and who, along with Laurie and Sheri, wouldn't let me give up when things got a little rough. Thanks guys. Also, a big thank you to Amy at the Haven, who provides me with the means to be spoiled rotten on a daily basis. Reality Check by JLB For some reason, she can't bring herself to wash the dishes. It wouldn't require more than a few minutes of her time -- a quick rinse, then some soapy scrubbing, another quick rinse, finishing it all off with a gentle swipe of the towel. That couldn't be more than five minutes, seven minutes tops, of mindless drudge work, but she'd have to go all the way to the kitchen, take those twelve or so steps from where she stands, silent and still, in Mulder's living room. She can't do it. She can't will herself to move. A few weeks ago, she couldn't stand to be here, couldn't stand to be among his orphaned things, all patiently waiting, as if they expected him home at any moment. It killed her to wipe away the dust, the spider webs that had formed in dark corners, because she worried that there might be a part of him still there, a strand of hair or a flake of dry skin lying loose in the mess. Now, a month later, everything is different. His apartment, in the cool darkness of late afternoon, seems to be a living thing. The walls throb wildly like an excited heartbeat, and the floor pulsates beneath her bare feet as she stands in his living room. She stares at her surroundings in awe, at the amber flakes of fish food floating atop the surface of the aquarium, the fish swimming slowly but happily through their bright underwater world after a full meal. On the coffee table, there are a couple of empty glasses, and a chipped plate with the remnants of a turkey sandwich. If she wanted to, she could study the small bit of bread sitting in the creamy puddle of mayonnaise, and analyze the pattern of Mulder's bite marks, the small, sharp markings of his teeth, maybe find a trace of his saliva still clinging to the soggy bread. Proof, she thinks wildly. Proof that he's been here, today, just an hour or so ago. Proof that he is alive and well, leaving smudged fingerprints on juice glasses and broken crusts of bread on old, cracked china. Scully tries to pull the knowledge inside her as a means of reassurance. It is a purely deductive process after all, one that she is more than familiar with. A dead man can't leave fingerprints behind, can't toss tiny fragments of his DNA here and there like bits of confetti. At least that's what the rigid, scientific part of her brain asserts whenever she stops to listen. Over the years, though, she has slowly learned not to trust her own senses, not to rely on the scientific process to be infallible as she once did, when she was a young doctor, a green FBI agent. Too many times, she -- and it -- have been proven wrong, arrogantly and recklessly wrong, and she refuses to play the fool again. Especially not when it comes to something this important. Because, despite all her second guessing, all the self-imposed doubts, she feels Mulder, senses him within the shadowed quiet of his apartment. Not with her eyes or ears, or even her wonderfully logical mind, but somehow more deeply and intensely, in a place that ached for months without him. That feeling cannot be wrong, she tells herself. Not after all this time. Mulder is alive. Mulder is alive and well, just down the hall. She knows this because she sent him to bed herself, just an hour or so ago, not knowing what else to do. In the many text books and medical journals she has read, at the lectures by world famous physicians and scientists that she has attended, she's never come across the protocol for dealing with someone in Mulder's condition. He is a marvel of medical science, Scully knows, and so she is left without a clear method of treatment. He could use some rest -- that much seems obvious -- so she sent him to bed for a long, afternoon nap, trying to pretend that it's all business as usual, that he decided to turn in, sleepy and full, after a particularly satisfying lunch. It's silly, but she has to find some way to distract herself. When she closes her eyes, standing in the thin slant of gray light from the window, bright, haunting visions assault her, terribly real images that are so graphic, she feels herself shaking under their force. They are not safe and remote like nightmares, those horribly vivid dreams that kept her tossing and turning on damp sheets while Mulder was gone. These scenes that play themselves now are guesses, logical assumptions about what he's gone through based on the physical evidence at hand, carefully constructed hypotheses about all the terrible things he must have endured. Behind closed eyes, she can still see him in the cold, dark interior of a space ship, in the black, airless prison of a coffin, buried deep, deep beneath the earth. She thinks about it for a moment too long, and suddenly finds it difficult to breathe. Her hand moves to her stomach in a thoughtless gesture that has become second nature lately, and she tries to ground herself. Dear God, she buried him. She put him there, closed the lid, and watched as the groundskeeper dropped the first shovel-full of dirt atop it, a rich, dark cascade of soil as it fell. She gave up then, too quickly, too easily. In a careful, deliberate movement, she turns to face the quiet hallway that leads to his bedroom, walking the path in her mind. It seems so long ago since they were last here together, since she stood in his apartment knowing he was just in the other room, and as crazy and selfish as it sounds, part of her wishes that they could go back to that old life, to those people they once were. There were days when they sat together on Mulder's sofa and ate popcorn and drank beer, neither one of them wanting to be the first one to give in, to lose the hands-off battle. There were nights when she fell asleep on his shoulder, in the midst of mindless paperwork, and he walked her to his bed like a drowsy, cranky child, so she could sleep beside him soundly, deeply. And there was that first, wonderfully strange night when she tiptoed into his bedroom, and he held the blankets back to welcome her into the warmth of his bed, where he touched her with reverence and ease, a place she hated leaving. Less than a year ago, but it might as well have been a decade. In that time, she received her miracle, and Mulder disappeared, only to turn up dead, then rise again. All of this in less than a year. Who's to say, she thinks, that it all couldn't be taken from her, couldn't disappear as quickly as it all appeared. He's just in the other room, she reminds herself again. He's in the other room. Right now, the thought alone is no comfort. Like in those early days when she and Mulder were just getting to know one another, she needs to see it with her own eyes before she will believe, and even then, there are no guarantees. Slowly, she walks the hallway to his bedroom, a hand braced against her lower back to massage it gently. Her shoes are off, so she doesn't make any noise as she pads across the floor, her stockings catching on the hard wood floor once or twice. The bedroom door is open, and she slips inside, as gracefully as a very pregnant woman can. In bed, with freshly washed sheets and a brand new comforter, Mulder is fast asleep. He is on his left side, the blankets pulled up to his shoulders, and his mouth hangs open, his jaw jutting out almost crookedly. He must have turned the small beside lamp on before he fell asleep because now it casts a soft, golden light over the top of his head, his glossy dark hair. Every so often, she can hear a slight snore, and it is a strangely beautiful sound, after all those months without Mulder when the world seemed to go entirely silent. She welcomes the flat droning of Mulder's snores now, as if it were music, careful key strokes on a piano. He's alive, she tells herself. He's alive. Again, the idea alone is not enough. She has to feel him before she'll trust it. At his bedside, she approaches with caution, standing still when she reaches his pillow. She does not want to wake him, and have him discover her, mooning over his prone form like some silly schoolgirl. Her fingers twitch at her side, though, demanding a tactile exploration of his vibrating, sleep-heavy body. Without thinking, Scully reaches out to brush the hair back from his forehead, not because she thinks it's bothering him, but because she needs to touch him, to feel how warm and soft his skin still is, how strongly his pulse beats beneath his fingers. It is like a dream, tracing the sleek topography of his face, his body, so she does it over and over again, trying to make it seem real. As her hand skims across his neck, Mulder stirs, shifting without grace and mumbling incoherently in a deep, rusty voice. She jerks her hand back almost as if her fingers had fallen upon a burning ember, afraid of being caught, afraid of Mulder witnessing her moment of weakness. There is no sense in trying to flee the room, not when seven months of pregnancy have slowed her considerably, so she stands motionless at the foot of the bed, trying to fix her face into a mask of causal indifference. Slowly, his eyes open, all squinty and dark, and he looks up at her, slightly confused. "Hey," he rasps, in the hoarse, barely awake voice that she remembers so well. "Something wrong?" He sits up against the pillows, the comforter falling loose around him, and tries to wipe the sleep from his eyes. In the dim lamplight, his skin is honey colored, and his scars are barely visible, just faint white crescents on his otherwise smooth skin. "Nothing's wrong," she tells him, embarrassed. She can't help looking down at her feet in order to deflect his attention momentarily. "I was just checking up on you." He nods, his eyes falling to her belly. "When do I get to check up on you?" "I'm fine," she says quickly, almost dismissively, smoothing the blankets across the foot of the bed. Cocking his head, Mulder smiles, a strangely knowing look darkening his eyes. "I think I'd like a second opinion. Com'ere." After a moment of hesitation, she moves toward him, and Mulder leans forward, reaching his hand out -- carefully, hesitantly -- for her stomach. He taps his fingers, mostly knuckles, against it gently, almost like he's knocking on a door. "Hey," he says, moving his mouth so it's pressed up against her belly. Through her shirt, she can feel his warm breath, and it tickles her skin. "Everything all right in there?" "Mul-derr," she groans in amusement, sliding a hand through his hair, rubbing the back of his neck. With his chin resting on her swollen stomach, eyes wide and warm, Mulder looks exactly as he does in her memories, all those recollections she held close to her heart while he was gone. If she weren't touching him right now, his body pressed warmly to hers, she would think he was just another flimsy incarnation of some long-ago Mulder, a mood and expression captured in time. He blinks in a slow-motion way, like he's coming off his own trip down memory lane. "Why don't you lie down with me for a while?" Mulder asks, sliding across to the other side of the bed, making room for her. "I don't know much about pregnant women, but I'm pretty sure that you shouldn't be spending all that time on your feet." With a tight, closed mouth, Scully smiles, then carefully eases herself down onto the bed, Mulder reaching out to help. She sits up against the headboard, and stretches her legs, flexing her toes inside her stockings. Apparently, Mulder does know a thing or two -- her feet and ankles are swollen and sore, and it's such a relief to be off them that she almost sighs in bliss. But even better than getting off her feet, she's lying in bed beside Mulder. Not in some memory, not in a dream, but here, now, in his too-long-vacant bedroom, with his navy pajama bottoms gaping at the waist now that he's lost weight, the sheets smelling like Tide, clean and sun-dried, his right wrist stained with a light pink ring where his hospital bracelet had rested until this morning. It's all so real. "Better?" She hears him ask from somewhere beside her. For a moment, she can't seem to look at him because she's afraid that he'll disappear as soon as her eyes touch him, fading like smoke in the air around her, and she'll be alone in his rumpled bed, clutching unwashed clothing in the hopes of conjuring his memory from the shadows of his apartment. She nods, just as her vision blurs, but Mulder remains still. He doesn't reach for her -- it's almost as if he understands what's happening -- and he breathes very quietly. In the silence, she tries to fight off the tears. It is absurd how easily she falls apart these days, but the effort required to hold it all together is beyond her. She can feel Mulder looking at her, and she knows that he doesn't have any idea how to deal with her like this. Little by little, she inches her way down the bed, trying to lie flat on her back, sighing a bit as she maneuvers herself on the mattress. "What is it, Scully?" Mulder asks, as he helps her lie down. He positions her so she's on her side, close to him but not so much that she feels trapped. She buries her face in the curve of his neck, and it doesn't even matter that the sharp antiseptic smell of the hospital still clings to him faintly. He's so warm and smooth against her. "I'm being ridiculous," she tells him quietly, her lips pressed to his throat. "You, Scully?" She can hear the silly smile in his voice. "You are never ridiculous." When she pulls her face from his neck, Mulder is biting at his lower lip. For the first time, she notices how dry and chapped his lips are, as if he's spent too much time out on the ski slopes without Chap Stick in his pocket. His tongue passes along his lip while she watches, and then it's all shiny and wet, smooth again, almost swollen. She turns away, not trusting herself to speak and look at him at the same time. "I'm afraid..." she tells him in a hushed voice, watching Mulder's hand as it flutters against the sheets. "I'm afraid to let you out of my sight for even a minute. I'm afraid that if I go as far as the kitchen, you'll be gone when I get back. Or you won't be breathing. It's so ridiculous..." He strokes the back of her head, massaging her scalp, and then his lips are hot against her forehead. "It's okay," he says softly. "I understand." There are no assurances that he is back for good, no promises that he'll be at her side forever, no guarantees that their life together will be easy and happy. All she hears is quiet understanding, which, right now, means everything to her. That's what she's missed most all these months without him, someone who understands, who doesn't try to protect her because he thinks he knows best, someone who doesn't hide the truth because he thinks it's too painful for her to deal with, too much for her to handle. He holds her against him, and understands. For a moment, she doesn't need anything else. "I've got an idea," he tells her, his voice deep with humor. He tilts her head back so he can look in her eyes, so she can see the bright, teasing glint in his. "Break out your cuffs, Scully. And we'll throw away the key." She laughs lightly, though her eyes feel watery and tight, because she knows that he expects it, not because of any genuine emotion. She runs a hand over his side, tracing the hard lines of his ribs. "It's always been a fantasy of mine actually..." he trails off purposefully. She knows what he's trying to do. In typical Mulder fashion, he's lightening the mood, hiding all his own pain and doubts with humor, trying to coax another laugh out of her so she doesn't remember how confused and unsure she feels. It has never really worked before, and now it only seems to highlight how bizarre their lives are, how alone she feels, even with Mulder beside her and a baby moving inside her. So she doesn't laugh, doesn't even smile. Her nose is running, and her lips feel wet and salty. Words have always been difficult for her, especially when it comes to Mulder, and now without a single precedent to follow, she is lost. Mulder's hands move in slow strokes on her back, grounding her, reminding her once again that this is not some dream, some fantastic illusion brought about by too many nights of prayer and wishes. Without warning, Mulder goes still beside her, alarmingly so, and when she looks up at him, he is shaking his head, staring beyond her at the window. She turns to see what he's looking at, but there is nothing but dull gray sky, crisscrossed with heavy black power lines. His eyes are serious and dark, and she sees a world in them, more complicated and beautiful than anything outside the window. "Mulder?" she whispers, trying to push herself up so she can meet his eyes. "Are you all right?" "It's so strange," he says, looking around the room, his eyes never settling on any one spot for too long. As far as Scully can remember, she didn't move a single item in his bedroom, didn't even put his running shoes, lying lopsided and untied in one corner, in the closet. "It's all... Everything is different--" "Not everything," she affirms. "Not everything." "No?" He pushes a strand of her hair, longer than when he last saw her, behind her ear. "It feels like everything." She closes her eyes, and feels him touching her stomach with whisper-soft strokes, so tentatively that it makes her eyes tear. "Things have changed, Scully," he whispers in a low, aching voice. "Whether we admit it or not." When she opens her eyes, Mulder is studying her with intense concentration, with those bright, burning eyes, in the same way he has done hundreds of times over the years, a way she forced herself to ignore for so long. Now, she stares back, afraid of what will happen if she doesn't. "No one expects you to just pick up where you left off, Mulder," she tells him, her voice cool and flat. "Take all the time you need." He smiles, soft and sad, and his hand pats at her stomach again, more firmly this time. "It would seem that there's a certain time table at play here." She lays a hand over his on her stomach, stroking the back of his hand, feeling the short hairs there tickle her fingers. "This doesn't have to factor in, Mulder. It doesn't have to force any of your decisions." She pats his hand, pressing it more tightly against her body, the pale pink of her nail polish strangely bright against Mulder's dark skin. For a moment, he looks dumbfounded, like it's the old basement days and she's pointed out some unthinkable hole in one of his theories. Then he shakes his head, his mouth fixed in a grim line. "Of course it does, Scully." He looks down at their hands, twisted together on the swell of her belly. "You've wanted this for so long." She bites her lip, hard, though she doesn't know if she's doing it to keep from crying or to stop herself from speaking. Whatever the reason, it doesn't help. The tears escape and she finds herself jabbering away, in a breathless, broken voice. "I never wanted it without you." She turns her head into the pillow, drying her tears on the cotton. "I don't want it without you." This is what Mulder has returned to, Scully thinks. A world where she cries at the slightest provocation, and has to touch him constantly for fear that she'll lose him if her grip isn't tight enough. Of course, he thinks everything is different. "Hey," he says, and it sounds like he's calling out to her from far away. "Hey, Scully ... you've got me." He runs his thumb along her lip, and tilts her chin up. "I may be a little worse for wear these days, but I'm here." "What does that mean?" she asks him, unable to stop herself. Seven months ago, she never would have pushed. She would have held the question back, wondered about it later when she was alone in bed, imagining the panicked look in Mulder's eyes as he tried to formulate a response. "Scully," he says, and her name, in that deep, rich voice, is the sound from a thousand dreams. "It means that you're going to be a mother." Through a haze of tears, she nods, trying to hide her face against the pillow. Since the moment that Mulder woke up in the hospital, she's been expecting this, trying to prepare herself. After all he's been through, she can't ask too much of him, can't make the same demands she would have before he disappeared, before he died. She has to accept him as he is now because no matter how she looks at him, no matter what angle she comes at him from, he's not the same man who made commitments to her all those months ago, he's not the same man who tried to give her all he had left in the world. "And I think," he continues slowly, just barely penetrating the roar inside her head. "I think it means that I'm going to be a father." He tilts his head back, and chuckles softly. "Scary thought, huh?" The world shifts around her, almost like it's snapping back into place after months of misalignment, and she takes a deep breath, trying to disguise her relief, trying to remember what the old Scully would do, say. "No," she says, in a low, serious voice. "Not at all." He touches her stomach again, cupping it with both hands. "I thought it would be soft," he tells her, moving his hand and making her shirt shift against her skin. "Spongy or something. I didn't expect it to be so hard." She smiles in spite of herself, and the prospect of teasing him pulls at her hard. If he can make her laugh and smile in the face of so much uncertainly, it only seems right that she return the favor. "There is an actual baby in there, Mulder." She strokes a hand through his hair. "I didn't just hit the Twinkies too hard." He smiles up at her like a little boy, easy and amused, and for a moment, she wishes desperately for a son, a baby boy with those same bright eyes and crooked smile. "You sure, Scully? I think maybe--" They are interrupted when the baby decides to test its limits again, and kicks, a firm, hard jab just under Mulder's hand. He freezes, stares at her stomach for a moment, then up at Scully, his eyes wide and delighted. "Wow," he smiles. "Wow." "Told you so." Scully can feel tears pricking at her eyes again. "How long have you been waiting to say that?" His hands slide around her stomach, pressing his fingers inward. "Will it happen again?" "At some point, yes." For a moment, they are both still, waiting for another show from the baby. Mulder's head is bent over her stomach, and she studies the short spiky cut of his hair, the way it seems to lay flat in some spots and juts up perfectly straight in others. The baby shifts, not the sharp, quick movement of its earlier kick, but there is enough motion that Mulder can feel it, his hand trembling against her. "You see what I mean?" he asks quietly, suddenly so serious. "Everything *is* different, Scully." She wants to deny it, and tell him unequivocally No, We're the same people we've always been, exactly the same. But that feels to much like a lie, too pat and perfect to be true. And yet, it's not true to say that they're entirely different either, that their lives are no longer recognizable. It's more like evolution, Scully thinks. Changing enough to keep moving forward, but not so much that they can't see where they've been, what they'll always be. That is a truth. "No," she says again, more firmly, and shakes her head. "No, Mulder. Not everything." She runs her thumb across his lower lip, the dry, chapped skin scraping against her, and he smiles under her finger, her thumb moving with his mouth. "Maybe not." He takes her hand and holds it again his chest. "You still disagree with everything I say." With a sigh, Mulder closes his eyes, leaning back against the pillows. His heart beats under her hand, steady and even, and she hears rain begin to hit the window. She slides closer, moving awkwardly because of her stomach, and kisses him, softly and slowly. His lips are warm against hers, and she feels a bit of his breath bleed into her mouth, hot and fast. It is Mulder who finally pulls back, sleepily nuzzling her neck. Slow and lazy, his mouth moves against her ear, tickling her again with his panting breath. "That's still the same," he whispers roughly. "Still so damn good." He slides his cheek against hers, his stubble like fine-grain sandpaper against her face. His eyes are still tightly shut, and if she listens closely, she can hear how deep and even his breathing has become. He's alive. "You're still tired," she says, as if it's a revelation, something he might not know himself. She watches him nod with eyes still closed. "Get some sleep." He nods again, turning onto his side, and presses his face into the pillow. She arranges the blankets around him, and he doesn't stir, already half-asleep. Mulder has never fallen asleep this quickly before. There are still glasses and dishes to wash, sitting on the coffee table in the dark living room. By now, the bread is probably rock hard, the mayo starting to congeal, thick and yellowy-white, and the residue of orange juice crystallizing in bright streaks on the bottom of the glasses. It's a mess. But she forgets about it. There will be all the time in the world to clean up later. Reaching behind her, she shuts off the lamp, and adjusts herself in bed. It is more difficult to get comfortable these days, but when her belly bumps up against Mulder's warm chest, she thinks she's found her place. the end. NOTE: Can you say "SAP?" I know, I know, but I worry about these poor kids in the hands of CC so I just wanted to put the idea out there, the thought that they might be more concerned with one another and the baby after Mulder's miraculous resurrection than the X-files or Doggett or Kersch. Hope you enjoyed it.