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From: =?iso-8859-1?q?Angharad=20Wade?= <little_corner_2000@yahoo.co.uk>
Date: Wed, 20 Feb 2002 21:21:18 +0000 (GMT)
Subject: Rising Moon (1/1) by Angharad
Source: direct

Title: Rising Moon (1/1)
Author: Angharad 
E-mail: sweet_roses_2000_uk@yahoo.co.uk
Distribution: The X-Files Improv Archive only.
Rating: PG
Classification: SR
Spoilers: General knowledge, post FTF
Keywords: MSR, 3rd POV
Summary: While on the road, Mulder and Scully witness
a spectacular sight, which in turn, leads to a
spectacular event between them.
Improv: #5 myth ~ early ~ swirl ~ stranger
Disclaimer: I don't own the characters from the X
Files; they are the property of Chris Carter and 1013
Productions.
Author's Notes: I've tackled this one in 3rd POV for a
change; I think it works well. This little story also
seems to be a little 'mood' fic :)
This is dedicated to Ro, for being my sounding board
when I was a little stuck for ideas. Thanks Ro. And
thanks to Ryen for betaing.

See more notes at the end.

Rising Moon (1/1)

A black sedan is traveling on a dirt road, surrounded
by thick forest on either side, the only source of
light being the sedan's headlights.

With the coming of night, the stars have yet to shine
and the moon yet to rise.

Scully lets out a tired sigh as she leans her head
against the headrest of the passenger seat, tiredly
watching the road passing by under her.

Mulder steals a glance in her direction when he hears
her sigh, feeling guilty that he'd dragged her on yet
another wild goose chase.

To chase away the tired atmosphere in the car, he
flicks the radio on, trying to get a decent station
other than rock and static. In the end, the radio
conks out before he switches it off, aware of Scully's
annoyed gaze on him for having disrupted the 'quiet'
in the car.

<Well this atmosphere is making me tired too, Scully,
and I'm driving.> Mulder thinks, feeling irritated. He
sighs, running a hand through his hair.

Scully looks over to Mulder again, having heard him
sigh.

"Hey. You okay? Want me to take over for the last
stretch?" Scully asks, in a gentle tone.

Mulder briefly glances at Scully before turning his
attention back to the pale brown road and the
blackening night ahead.

"No, it's okay Scully. I'll be fine." Mulder answers.

"You sure, Mulder?" Scully asks, a hint of worry in
her voice.

"I'm sure," he answers, a note of conviction heavy in
his voice.

Taking the hint, Scully falls silent, unsure of what
to say in the slightly tense atmosphere that has now
fallen, too tired to try defusing it.

The recent case has taken a lot out of her, out of
them both, Scully reflects. It was just another wild
goose chase. Most cases often turn out to be just wild
goose chases but sometimes Mulder just can't see that-
he can't see past his own nose sometimes when we're on
these cases, she thinks tiredly.

Scully turns her tired head slightly to study his
profile, as much as she can, in the shadows of the
moving car.

<He does look tired. Is he pushing himself?>

Oh Mulder, Scully thinks, as she realizes why he's
pushing himself - he feels guilty for having dragged
her on a wild goose chase.

He does seem to be trying hard not to upset me; the
radio is proof of that. He's been like that ever since
we came back from Antarctica, Scully muses.

<Does he think I'm going to leave him?>

Scully sighs again, this time at the complexity that
is her partner and best friend.

"You okay, Scully?" Mulder asks, worried that he's
heard her sigh again.

<Is she really okay?>

Scully turns in her seat so that she's properly facing
him without her body being twisted to give her
unnecessary back ache. "I'm fine, Mulder. Why do you
ask?"

"Well, you seem to be sighing a lot," Mulder answers,
uncertainty filling him. "I'm just wondering if you're
okay. We can take a break from the road if you want,"
he adds.

"No, it's okay," Scully answers, without hesitation,
but she then pauses, seeming to be thinking.

For some reason, Mulder feels coils of unease growing
in his stomach, making him feel distinctly
uncomfortable.

"Actually," Scully reconsiders, "maybe it would be a
good idea."

<What made her change her mind?>

"Why the change of mind, Scully?" he asks out loud,
deciding that she wouldn't be offended by his
question.

"We both could do with a break," Scully answers,
adding, "I'm tired and I need a break from this
continuous momentum. This uncomfortable, tedious
momentum, I might add."

<Scully's mad. What did I do to make her mad?> wonders
Mulder, slightly surprised by her answer.

"We'll stop at the next pit stop."

Stealing a glance at Scully out of the corner of his
eye, Mulder tries to gauge what she's thinking, or
feeling.

<She does look pretty tired. And I know it's my
fault.> 

I never should have taken this case in the first
place. I should have seen it for the hoax it was,
Mulder thinks, feeling guilty for his partner's
present state of well being.

It isn't long before the pit stop arrives - a small
dirt track, leading off the main road they're
traveling on to an area large enough for several cars
to park and rest.  The purpose is obvious.

Pulling into an empty space, Mulder switches off the
engine and sits there, wondering what to do, partly
waiting for Scully to talk or to get out of the car to
stretch her legs, and partly wondering why the hell 
he took this case and dragged Scully along with him.

<You didn't have to come with me.>

She's your partner, his conscience reminds him; she'll
follow you wherever you go.

<Why?> Mulder briefly wonders as he stares at Scully's
profile in the near dark, the near dark being colours
of dark grays with mixtures of blue black shadows
surrounding them inside and outside the rapidly
cooling sedan.

Scully sits there for a few moments, listening to
their breathing, watching the window in front of her
misting up with the condensation before opening the
car door and getting out to feel the cool breeze
drifting past.

She closes the door and leans against it, looking up
at the sky. It is a mixture of dark blues and blacks,
with a net of bright stars becoming visible as they
shine from behind the moving clouds.

Mulder too gets out of the car, but instead of looking
up at the sky with Scully, he leans against the open
doorframe, watching her profile, wondering what's
gotten into her tonight and hoping it isn't entirely 
his fault.

"How are you feeling Scully? Better now that we're out
in this glorious, cold night? This glorious, cold,
dark night?" Mulder asks, trying to inject a lighter
atmosphere. It seems to work when Scully turns to face

him, away from her stargazing, and answers, "It isn't
that cold Mulder," a small smile on her face, a sign
that she's accepting his teasing banter.

Mulder grins, feeling happy all of a sudden.

Walking round to her side he says, "Let's go for a
walk. We'll freeze to death standing around out here
stargazing." Adding, "But at least we've got the body
heat to keep us warm."

"In your dreams Mulder," Scully replies, walking off.

<At least she seems to be in a better mood. The fresh
air must be working.> Mulder thinks, still standing by
the car.

"You going to stand around there all night Mulder?"
Scully calls back, some distance ahead of him.

"Would you miss me if I did, Scully?" Mulder answers
back, enjoying the banter flowing between them.

"No comment," is the reply Mulder hears, prompting him
to grin.

Chuckling to himself, he imagines the possible
meanings that Scully's answer has given him.

Catching up to Scully, Mulder finds her sitting on a
grassy knoll atop a small rolling hill, the trees not
so far away and the blades of grass around her.

He notices her expression, deep in thought, and
wonders what she could be thinking about so strongly.

"Hey Scully," he says, as he plops down besides her, a
smile on his face.

"Hey Mulder," Scully answers back, the tiredness
evident in her voice.

"Did you know that thinking is bad for you?" Mulder
asks with a grin.

Scully turns her head sharply to look at Mulder for a
moment before turning back to the view ahead her - the
view of a forest, the trees outlined against the
blue-black night, the black shadows amongst the trees 
seeming to give a warning, causing her to shudder.

<I really must stop looking for things that aren't
there.>

"Hey, you cold?" Mulder asks, having noticed Scully's
slight shiver against the night. He puts an arm around
her shoulders, without waiting for an answer.

Scully smiles to herself as she feels Mulder put a
gentle arm around her shoulders. She turns to face
him, meeting his eyes, his intense hazel eyes, but she
can't decipher what they're trying to say.  It's too
dark - the night is swiftly descending upon them.

A silence flows between them, reminiscent of the
hallway, seeming so long ago now yet always in the
back of their minds.

"Mulder..." Scully starts to say, but the moment between
them is broken as the last of the clouds are pushed
away by the cool breeze, to reveal moonlight falling
over them.

"Hey Scully, look at that," Mulder says, a hint of awe
in his voice as he looks up at the sky.

"It's a harvest moon. Did you know that there are
various legends associated with this moon?" Mulder
asks excitedly, turning back to Scully's questioning
face, which he can now see more clearly.

<What just happened between us?> Scully thinks.

She's about to ask him, but seeing the excitement
shining in his hazel eyes which seem to have a touch
of green in them at the moment she decides to go along
with him and asks, "What is the harvest moon, Mulder?
I've heard of blue moons but I'm sure I haven't heard
of harvest moons."

Still facing Scully, Mulder answers her question,
"Harvest and hunter moons are the brightest moons of
the year and they only occur close to the autumnal
equinox." Turning to glance at the sky, he adds,
"They're the full moons, giving the brightest nights
of the year. They also rise earlier than normal after
sunset and they continue to rise early for several
days after, shining brightly for most of the night."
He turns to face Scully again, a grin on his face.

<He's like a little kid when it comes to witnessing
so-called phenomena.> Scully briefly thinks, a faint
smile on her lips.

"Dare I ask what the legend behind this moon is?"
Scully asks, a teasing tone in her voice, a broader
smile now playing around her lips.

<I'm glad she's feeling happier.> Mulder thinks,
noticing her smile and the teasing tone in her voice.

"It's not a legend per se, but the extra moonlight in
the successive evenings following the rise of the
harvest moon aided harvesters as they worked late into
the evening, hence the name," Mulder finishes, a smile
on his face.

"So what's the difference between the harvest moon and
the blue moon? And the hunter's moon come to that?"
Scully asks, enjoying Mulder's storytelling as they
sit in the dark under the sky, the full moon and stars
shining brightly.

"I was waiting for you to get to that," Mulder says,
still smiling. "There isn't much difference between
the harvest moon and the hunter's moon except for the
fact that the harvest moon usually rises on October
2nd and that the hunter's moon, which is usually in
October, falls on November 1st this year."

"And the blue moon?" Scully prompts.

"Is completely different," Mulder replies with a
smile.

"This year it will occur on November 30th. Basically,
the general definition for a blue moon is that it's
the second full moon in a season, though an older
definition is four full moons in a season, which only
occurs in February, May, August, or November, about a
month before the equinox or the solstice. This little
moon is reckoned according to the seasons."

"I can't believe that's what you're interested in,
Mulder," Scully says, a hint of disbelief in her
voice. "There has to be something else associated with
these moons." Mulder's response is to grin, prompting
Scully to smile and say, "I might as well hear it."

"Werewolves," Mulder simply states.

"Werewolves? They don't exit, Mulder," Scully answers,
disbelief evident in her voice. "They're just myths
and legends."

"But Scully..."

"And don't tell me that case we investigated had
werewolves in them, Mulder, because they can't be
proved, not scientifically. It's likely the people
suffered from lycanthropy, and not from the curse of
the werewolves," Scully cuts in, as Mulder starts to
protest.

"You've heard about strange happenings during a full
moon," Mulder answers. "It's common for a werewolf to
change its form during a full moon."

"Maybe so, but we have no proof Mulder," Scully
retorts.

"We have to keep an open mind Scully," Mulder answers
back.

Scully then chuckles to herself, causing Mulder to
ask, "What's so funny Scully?"
 
"I was just thinking. We're arguing over the existence
of werewolves when we should be making our way back
home. We should have been back yesterday."

<Do you prefer staying here with me Scully?>

"Which do you prefer? A bit of stargazing for a little
while or going back on the road to that 'continuous,
tedious momentum,' as you put it?" Mulder asks, a
touch of humour in his voice.

<I'd stay with you anywhere, Mulder.>

Scully smiles. "Maybe we should take this chance and
watch the moon for a little while."

"Atta girl, I knew you'd come round to my thinking."

Scully rolls her eyes at him before turning her head
to watch the bright, full moon, the thin wisps of
cloud dancing across the luminous orb, making her feel
strange.

<Is the moon bewitching me?> Scully wonders.

Mulder steals a glance at Scully leaning against his
shoulder, her arms around her drawn up knees, before
turning to watch the moon with her. He can see the
particles of dust swirling, caught by the moonlight
which has spread across the surroundings around them.

A silence falls between them as they continue to watch
the moon shining brightly.

Something catches Scully's attention out if the corner
of her eye. Glancing further to the right, she says
out loud, "Mulder, look. It's a shooting star."

Mulder catches the happiness in Scully's voice and
turns to look.

There it is. A fountain of stars moving across the
sky.

Bending low to her ear, he whispers, "Make a wish,
Scully." Watching her face, he sees the happiness
sparkling in her blue eyes.

When the shooting star has faded out of sight, Scully
asks, "Did you make a wish Mulder?"

<I did, Scully.>

As Scully turns to face Mulder, she finds herself
staring into the depths of his hazel eyes once more.
They stay that way for several moments. But this time,
Mulder leans forward to place a gentle kiss on
Scully's lips.

She finds herself kissing him back.

<This feel so right.>

When they part, Mulder is smiling. Scully smiles back,
feeling happier and more at peace with herself for a
long while.

Together, they make they way back to the car, holding
hands, giddy with happiness under the light of the
full moon.

The End

Author's Notes: Go to
http://www.factmonster.com/spot/harvestmoon1.html 
And http://www.factmonster.com/spot/bluemoon1.html if
you want to know where I got all this information on
the moons- you didn't think I knew all that did you?
*g* http://members.tripod.com/alam25/ gives you
information on werewolves and their background.

Feedback is always welcome at
sweet_roses_2000_uk@yahoo.co.uk :)


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Visit my other X Files sites there too :)

