From unreal@fly.cc.fer.hr Mon Dec 30 05:04:51 1996


                       The X-Files Christmas Special

                               'He is here'


(C) 1996. Goran 'UnreaL' Krajnovic. All rights reserved. Copying and
posting is allowed if no profit is made. Commercial distribution with
permission only! Contact: unreal@fly.cc.fer.hr.

Note: any possible X-Files trademarks (such as character names, silly
plots, stereotypes etc) are used without permission. So sue me.


Intro:

Night. A forest covered with snow, lit by the Moon and the stars. Wind
howls. We pan across the snow covered treetops as the camera goes down all
the way to the floor.

Slow background music rises dramatically in pitch and turns into a spooky,
Jaws-type music. 

A bright, reddish light appears. The music reaches its climax.

Suddenly, animal legs run across the screen, and we see the bottom of what
appears to be a sled being pulled by the animals.

Sudden fade to ...

<The X-Files intro sequence>

<Commercial break.>

Fade in. Text on screen: Washington Airport. Control tower. Dec 24 1996.
Evening.

A room full of radars and computers, lots of lights blinking, typical
computer sounds (bleep-whirrr-clunk-click). Several people sitting at the
radars, with earphones and mikes, coordinating flights. One guy in the
corner plays tetris.

We  zoom  slowly to a guy, face lit with a spooky green light from the CRT,
sitting  at  the  computer, saying something like 'RE-234, descend to 12000
feet.  Approach runway 6.  Over.' This goes on for some time.

The camera shows his computer screen, with a typical radar (green line
rotates around the center of the screen, producing weird bleeps every time
it displays a plane). All green dots are neatly labeled with things like
TWA-400, KLM-211 etc. Suddenly, an unlabeled dot appears from the top right
on the screen.

The guy says 'This is Washington Tower calling unidentified craft at 34
degrees, come in. Over.' He gets no response. He tries several more times,
but again no luck. He calls the boss, who is a gray-suit-n-sunglasses type.

'Sir, I've got an unidentified craft heading straight for Washington. It
doesn't answer on any frequency."

The boss reaches to the computer and looks, examining the dot. He types
something and the computer displays something. The boss says 'it's too
small for a jet. And going too fast for a small plane.'

The boss reaches to the computer and turns it off. He whispers to the
operator 'Now look. You never saw this. It was a malfunction. Go and have a
coffee break. Don't be stupid, or else.'

The guy gives him a weird look, but complies. He goes out, gets a cup of
coffee and calls Mulder.

Mulder is in his office (on Christmas Eve! what a loser) looking at some
X-Files. He is examining a north Europe map, and makes a big circle around
the northern part of Finland. The phone rings.

'Mulder here.'

'Hello. A friend gave me your number and said you are okay. I work at the
Airport, in the Control Tower.'

The guy goes on to tell him the whole story, while the X-Files theme plays
in the background.

Mulder asks where the craft was headed to. The guy says that it was going
for Washington. The connection breaks suddenly. Mulder hangs up.

<Commercial break.>

Mulder calls Scully.

Scully is at home, eating turkey with her family. She answers the call.

'Scully, it's Mulder. Something came up. It's urgent. I'll meet you in ten
minutes.'

'Are you crazy??? It's Christmas Eve! What can possibly be so important?'

'It's *HIM*. Right here, in Washington. And I know the address.'

'You're out of your mind. Why aren't you at home?'

'I was working on a case. I'll pick you up.'

Scully tries to protest, but Mulder hangs up.

<Commercial break.>

Next scene: Mulder and Scully, driving in a car. Mulder tells her about the
call. Scully doesn't believe him, as usual.

'Okay, Scully. What is smaller than an aeroplane and flies around on
Christmas Eve?'

Scully gives him a look. 'What are you saying? That we are trying to catch
Santa Claus????????'

'Exactly. I've been tracking him down for years, since I was a kid.
Everyone said he didn't exist, but I never believed them. And now, he's
been spotted approaching DC. And where is he going?'

'How should I know? I'm not one of his elves.'

'To the first name on the list. And that's Angie Aaron, age 6, Stanford
Boulevard 56. He's doing his list of good kids and she's the first!'

'You're out of your mind. How do I write that into my report? I just say we
were catching Santa? They'll kick you out of FBI in minutes!'

Scully thinks about telling Mulder that he's an asshole, but she remembers
that this is a TV show and you can't say that on TV. So she just stares
through the window. Suddenly she sees a trail of bright light in the sky.
The radio reception goes bad for a moment. Mulder also looks out and says
'see! What did I tell you?'

<Commercial break.>

They arrive at the house. Bright light is coming through a living room
window. Otherwise the house seems quiet. Scully and Mulder take out their
guns and sneak up to the front door.

They slowly open the door and sneak into the room. The only light is the
christmas tree, and we see a figure dressed in red piling boxes beneath the
tree.

Mulder jumps into the room and shouts 'freeze!'. The figure turns around,
standing up,and it really is your classic white-beard-big-belly-red-clothes
Santa. He looks surprised.

'Get your hands up where I can see them. Who are you?' says Mulder.

'What do you think? The Wicked Witch of the East? I'm Santa.'

Mulder comes close to Santa and pulls his beard. It's real.

'So you really are *THE* Santa Claus. Nice to meet you.'

'The pleasure is not mutual. Security is on it's way, since I've got a
deadline to catch. Now please leave.'

Scully photographs Santa. She says 'Am I getting a present this year,
Santa?'

He says 'We'll see. You're under 'S'. That's a long way to go yet. Now get
lost so I can get some work done.'

'Not so fast. Why are you hiding from the world?'

'What do you think? The mystery, the suspense, the believing. It's all part
of the show. It's not fun when you know you're getting a present from a fat
guy dressed in red, flying a sled. Now GET THE HELL OUT OF HERE!'

<Commercial break.>

A bunch of guys crash in through the windows and doors. They all carry big
guns, all are dressed in black, and they look like some
Top-Secret-Government-Security-Service-Nobody-Knows-About-It-Not-Even-Us
special forces. (TSGSSNKAINEU). They take Scully and Mulder, and they take
the film from Scully's camera.

A TSGSSNKAINEU chief (we know he's the chief - he wears sunglasses) comes
to them and says the X-Files Security Speech (TM):

'Well, well. You really got in way over your heads this time.
Unfortunately, we cannot allow you to talk about this to anyone. Even if
someone believed you, we'd make sure that you two disappear from the face
of the Earth. I hope you'll show that you have some sense left, and leave
kindly and forget about all this.'

<Commercial break.>

<Another commercial break.>

Scully and Mulder are taken away and the TSGSSNKAINEU men drive them away
from the scene.

Mulder says 'I was so close this time. So close.'

We hear jingle bells and a familiar laughter in the background.

Fade out to end titles.

Oh, shit, we forgot <Another commercial break.>


<END>


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